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Max Thomson
synthetic kinda love

Registered: May 2004
Location: Berkeley, California
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woah woah woah guys sorry if I am coming off as bitter or stuck on a point here, I'm just trying to point out the legal difficulties in doing what W+L are doing and want to respectfully present my position. no need to get all huffy here, I have the utmost respect for you guys (clovis, woscar, bas) regardless of your position on this issue.
I agree beatport sales do not really take a huge chunk out the original artist's revenues, and making a cheeky edit and releasing it for $2.49 isn't nearly as damaging as pirating an entire label's discography, but I still think that most DJs and producers who have been around for some time will agree that doing a re-edit for private use is one thing, and doing a re-edit then calling it your own and releasing it for public consumption is another. I think my main problem with it is the labelling, If its a re-edit, call it a fucking re-edit! if its a bootleg, call it a fucking bootleg. You didn't produce the vocal, so why slap your name on the artist field and pretend you did? No ones gonna buy the track if its just got your cheeky drum loops and synth work, the vocal gives the edit its value.
Bottom line is if you're the original artist of a production, the samples should be unrecognizably fucked with and/or copyright free, otherwise its a remix!
___________________
-> mixes & more @ maxwelldub.net : .
-> professional analog mastering @ deliverance-mastering.com : .
"A studio environment is there to be exploited. I don't really hold with these 'all live on 2 decks mixes'. If you want that, go to the gig." - Ben Watt
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Dec-11-2009 03:31
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SYSTEM-J
IDKFA.

Registered: Sep 2003
Location: Manchester
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Dec-11-2009 04:37
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