|
| quote: | Originally posted by R!CH
uhh...
if you feel the adulation of the masses substantiates your taste in music, then stick to that fallacious argument, because neither you or i are speaking from the point of view of our careers as artists. nor did i ever criticize the commercial producer's choice to sell disposable music for a living. as it has become customary for me to repeat myself in this thread, my criticism is against people like you who attach artistic merit to a commercial product based entirely on the argument of revenue generated. i said before money, fame and corporate ladders have no bearing on the enjoyment i derive from music. when i said that, what i really meant was it should have no bearing on you either.
you are clearly approaching music as a business venture before you are an art form, which i quite sad considering you aren't making a dime off any of it. the joke's on you really because having a taste in music so tightly attached to what's trendy and djmag popular means you're paying anywhere from 200-1000% of what i'm paying to go out and hear "good music". having been in your shoes for a time, i can be assured that i'm getting a lot more out of it than you. can you really say the same? you live in fremont so you party in sf... the extent of your knowledge on the sf scene probably ends at ruby skye, 1015 and bill graham. ask anyone else here if that even comes close to the whole picture. your problem is a lack of curiosity. maybe that's a not a problem for you, maybe you're only comfortable with the easy and familiar.
mo williams? better technology? where the hell are you getting this shit from?! lol 
emo kids listen to armin van buuren and sing along to the emo lyrics of his emo music. hooooow did it end this wayyyy, doooon't leave meeee, love me, just a little bit longerrrr! what a lovely sight to see a bunch of grown men standing together singing these lyrics full bore while staring starry-eyed at armin. ugh... |
If you read my previous posts, im not stating that im a fanboy of the commercial scene rather my point is that you need to pay attention to the direction in which the industry is heading and embrace the changes. Although im neither a DJ or a producer , i know about the music enough to realize tracks like Roadkill or Suburban train have a lot more technical elements to it than say any Guetta track.
The fact is that people are being rather one dimensional when looking at the Tiestos and Armins and proclaiming that their music lacks passion. Fact is , they are doing this as a career and eventually everyone needs to pay their bills. Heck Armin even has a Law degree meaning that he has an educational backup incase his music career were to derail - how many artists can claim to have that kind of a resume?
Maybe i have not seen the EDM scene outside 1015 and Ruby Skye but if im not profiting or making any personal growth by going deeper into the scene and am thoroughly entertained by going to the Skye and the massives, what is wrong with that?
People who follow the mainstream aspect of dance music never claim to be experts on the art of making music. They just want to go to a club and have a good time.
Honestly, the dance music industry needs the armins and tiesto's in order to keep flourishing because its these names that also promote and nurture new talent. By playing tracks of unknowns on their radio shows and gigs, thats the way the public gets to know of the budding artists else they would not stand to gain recognition given that they hardly make money from digital download royalties and the whole piracy thing.
The Mo Williams thing was just an analogy and was not meant to be taken literally to digest the previous point that i made. I was emphasizing that would you be just another ho hum - hes decent player/ artist or be the star of the show?
|