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| quote: | Originally posted by Sand Leaper
Is Call On Me and Lola's Theme your idea of a "constant flow of house records into the chart"? And a bunch of new club nights and clubs opening every month does not help if they play for half-filled (or less) venues for 2 months before closing their doors.
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There hasn't been a week since June 2004 that hasn't had a house record in the Top 40. Not to mention recent and upcoming albums from Daft Punk, the Chems, Moby, The Prodigy, Fatboy Slim, Faithless etc. etc. And you're assuming that all these venues are unsuccessful, despite them reporting big attendances and growing popularity.
I've no idea what events Mylo has played since his live act has only been around for a few months, but he's played countless live gigs to date and I would be surprised if he didn't make it onto a few festival line-ups this year.
You're being unfair on epic trance, and assuming the lack of innovation is because artists are just in it for the money. So why are there no revolutions happening to prog, or hard trance, or any of the other trance related genres?
Turning back to house, the genre has led to massive financial success for years now, and yet the scene is still changing, innovating and growing, particularly with the current emphasis on guitar and rock elements. By your line of reasoning, house should have stagnated because it's easy to make money from it (which is true). And yet trance continues to drop in popularity despite the "money making" epic trance formula.
You can't blame the lack of innovation in trance on the use of big breakdowns and super-saws. If anything, I'd blame it on the massive rise in use of software to make music as opposed to hardware.
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Mixes:
> Maximum Elevation [Progressive House]
> DI.FM 26th Anniversary Guest Mix [Progressive House]
> Live @ Dance:Love:Hub London, 11.10.2025
> Higher Peaks [Progressive House]
> Dance:Love:Hub Afterparty (The Return) 23.11.24
Like these sets? Come see me play live at Kibosh in Manchester: https://www.instagram.com/kibosh.mcr/
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