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| quote: | Originally posted by palm
there are many standard things in a studio that aint very good really. look at the old version of yamaha monitors, they werent really that good. infact they where almost only midrange so that the producer would try to correct that and fill up with bass and treble, this way all records start sounding warm and bassy which again sounded good on crappy stereos which was part of the point. sony mdr-v6 are probably standard beacuse they are very cheap, very much avaliable and pretty good, + that people knows them and they are easy on the ears. u will have to double the price if not triple to get much more detailed sound but in many cases this is not important. a singer for example only needs to hear her voice and u dont need super headfones for that. |
Was gonna quote on the NS10's for fuck sake they needed paper going over the tweeter they were so harsh on the highs, still studio standard...
Standard dont mean shit really, it's the bare bones, the must have basics, not the best. I bought my 7506's 3 years ago, they've always sounded fucking shit to me. I tried to believe it was cause they were flat, etc. But they aint flat at all. The bass isn't there, just all mid and highs that are far to present.
Good vocal monitors? Yes I can belive that. Good DJ/Production phone? Simply no. Not for me, anyways. I enjoyed djing on the mdr 500's better. Even though their build was shit.
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Nothing lasts, nothing lasts, everything is changing into something else. Nothing is wrong, nothing is wrong, everything is on track...
You know, William Blake said... uh, nothing is lost. Nothing is lost and I... I really believe that, we only move on...
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