quote:

Originally posted by paranoik0 woah, i agree with you while disagreeing with Ory 3AM here, wtf am i doing in front of a computer? +1 i guess

How could you ever agree with ory really? His opinion always changes for the current trendy argument.

He is quite simply a troll.

quote:

Originally posted by Mike_Foyle oh and remember: T3H L33T 3L3CTR0NIC0R

oh and lol, are those teh 1337 f4rting n0isez?

hahah, its funny reading these posts here, well yeah gotta agree with Mike in everything he said, i think the main reasons in these forums is that alot have different tastes in trance, and some immuture (ory)cant keep thier litle mouth shut so they wine and brag about what other people like. thier are fucking idiots and cant respect other peoples choises.

haha well said Mike mate, i think everyones had enough now, i shouldnt have started this silly topic if i had of known that little boy was gonna start going on & on & on

case closed

quite like him - air for life is pretty good the way it incorperates a lil bit of electronic funk into it.

its like inaya day meets enya lolz

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quote:

Originally posted by NuDarkBeat Ory for the kill once again. Also, once again, coming from somebody that knows absolutely nothing about music production. Figures.

i'd love to hear your productions.

I really enjoy the Whiteroom remix of Airwaves "Save Me". Heard it before the original and I think it's better. I know people think I should be shot for this, but thats just how it is. I've never been much into Leama & Moor, though I do like some of their remixes.

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Klangkarussell - Sternenkinder

fuck you assholes

I like the Leama & Moor remix of Getting Away, and I also love Whiteroom - Someday. And no I don't like it because it's popular and it was shoved in my face by Armin, I couldn't care less.

Wrap your minds around this one because its a real brain teaser.

I just like the songs.

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quote:

Originally posted by Danny Ocean fuck you assholes

Interesting

Dear Ory,

You're shit.

x


tbh though i agree with most of the other anti-Moors in this thread with regards to his music. i dislike his recent stuff and find it to be uncreative and pretty devoid of any appealing musical essence. however its existance doesn't bother me in the slightest; the only time i'm forced to listen to that style is during the early stages of certain clubnights, where it serves as mere warm-up fodder. it doesn't bother me that others like it either and i certainly wouldn't lump its listeners in the same category as casual part-time pop-music listeners. to be fair they must have done atleast some degree of 'digging' to get to this level and it it suits them, let it be.

actually Ory got a point. if you look at the todays "uprising" trance stars that are discovered on ASOT they all seem to follow the same pattern.
They are all young guys sitting with a downloaded (well most of) version of Reason and producing tracks in their bedrooms. Their main aim is to get on ASOT and get whored there. That is still OK for some reason. But then when the artist becomes popular among the ASOT whores he suddenly have to start DJing. For example Envio, Filo & Peri etc.
Just because you can make a good production doesnt automaticly make you a good dj. And then the clubowners book these "uprising" stars and prints largely on the label "ENVIO". Though no one have ever heard Envio dj before they rate him high as hell just because he had one tune on ASOT which was popular.
This is really really cheap.

Note Envio is just an example. There are loads of other producers which did the same.

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quote:

Originally posted by RebeL9 They are all young guys sitting with a downloaded (well most of) version of Reason and producing tracks in their bedrooms.

and that's the same guys who cry when their tracks are illegaly downloaded. Irony.