quote: | Originally posted by Bierheld
Science Dysfunction by Bierheld on Mixcloud
DL: http://speedy.sh/m5zDN/Science-Dysfunction.mp3
TL:
01. Fourcolor "Vignette" [12k, '06]
- Jaava73 "Inside Spaceship" [freesound.org]
- Simon Ho "5" [Sub Rosa, '09]
02. Free Babyronia ">>>" [AUN Mute, '13]
- Nicholas Bullen "Element Configuration III (II. Commixture)" [Type, '13]
03. Histibe "In Parallel" [Histibe World, '13]
- Nicholas Bullen "Element Configuration III (I. Of Three Elements)" [Type, '13]
04. David Inexacte "Europe In Rewind" [NOMOS Records, '13]
05. Tzolk'in "Toci" [Ant-Zen '13]
- Noisecollector "Spacevirusextend" [freesound.org]
- Andrew Thomson "scifi Computer 1" [freesound.org]
06. Meta "Ultraviolet" [Lifted Music, '13]
07. This Morn' Omina "Nev'im (God's Zoo)" [Ant-Zen, '11]
08. Marching Dynamics "Rival System" [Hymen Records, '09]
09. Mordant Music "Nothing In Here Of Any Value" [Mordant Music, '13]
10. Dave Aju, The Invisible Art Trio "Fall" [Nuearth Kitchen, '13]
11. Roman Naboka "Travel To A Life Source" [LW Recordings, '13]
12. Sine Weaver "poetess" [Steal My Oil, '11]
13. Vexkiddy "Gordon Bennitt" [Cock Rock Disco, '11]
14. Pinkcourtesyphone "All Made Up" [LINE (SEGMENTS), '12]
15. nsi "4." [S�hk� Recordings, '07]
16. Randweg "Droner" [Dock, '13]
17. Aiodine "02" [Aiodine, '13] |
I finally got round to listening to this. Not exactly sci-fi, but I listened to it whilst reading The Naked Lunch, as I figured a self-confessed mix of chaos would be a fitting audio backdrop. With that in mind I wasn't paying close attention throughout.
My impression is that it actually made a lot of sense and developed into a promising sampledelic vision for the first 30 minutes or so. At this point I was feeling a kind of future-primitive juxtaposition going on with the spaceship sounds melding with the tribal industrial of This Morn' Omina and Tzolk'in. I can definitely appreciate the "where we've come from and where we might be going" concept here, it was vaguely evocative of the kind of themes Kubrick and Clarke hinted at in 2001, and what Ridley Scott rather lumpenly cave-drew in Prometheus. And although I always go back to this parallel with your mixes, a vibe not totally dissimilar to the last FSOL album.
Then things lost their way slightly. Really, the structure isn't a whole lot different from your Alae mix and is really very simple: slower-tempo, evocative and environmental music in the opening act, an acceleration into frenetic neo-rave material to create a peak and then a gentle outro. The problem is that these three sections didn't really have any thematic connection to each other, the mix doesn't build on what is suggested at the start, and the rave section towards the end just felt silly and flippant, especially when set against the rest of it. If you'd cut that shit out and perhaps replaced it with some experimental modern classical. or maybe some cinematic glitch a la Tinidae or Access To Arakasa, you'd have created a more fitting emotional peak to descend gently from with the last couple of tracks.
As it stands it made for a good soundtrack to Burroughs but not a hugely satisfying listening experience despite some obvious promise.
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Mixes:
> Higher Peaks [Progressive House]
> Dance:Love:Hub Afterparty (The Return) 23.11.24
> Surface Tension [Progressive Trance]
> Back To Deep [Deep Trippy House]
> Terra Nova [Modern Progressive Trance]
If you enjoy any of these sets and want to hear me live, I'll be playing a 2 hour progressive trance set at Basing House in Shoreditch, London on 11th October.
I'm also a resident at our bi-monthly party Kibosh in Manchester: https://www.instagram.com/kibosh.mcr/
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