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zapper
Supreme tranceaddict
Registered: May 2001
Location: Bergen
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Lots of fresh tracks in here, will check it out
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Nov-09-2003 02:21
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EPoC
tranceaddict

Registered: Oct 2003
Location: Calgary, Canada
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i downloaded the mix you've got, some mixes were good, some needed a little work, BUT, in my experience, track selection is 50% of a set.. 20% is working with the crowd, and 30% is technical mixing ability. This set i really enjoyed, and infact there's a track in there i've been trying to ID for quite some time now :)
nice work, and never be hesitant to practice mixes for as long as possible, even if it sounds crappy, try to keep it beat matched as long as you can. Even see how long you can drag out a mix, for example... bring in the track to mix, and have low/mid/high turned all the way down (i never use a crossfader) then start with the highs, turn them slowly up on beat, then work the mids, then start to fade out the high/mids of the other track. then as you bring in the bass, start to slowly cut the bass of the other track. bass is the real catcher, it's the trickiest to bring in and be sneaky about it, although if you get 2 tracks that match well, and it's done just right, you'll get a big grin knowing what you just did.. mixed 2 records and no one in the crowd realized it..
cheers
EPoC
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Nov-11-2003 06:28
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T_2199
life on mars ?

Registered: Dec 2001
Location: An der schönen Stadt am Main (Frankfurt)
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| quote: | Originally posted by EPoC
i downloaded the mix you've got, some mixes were good, some needed a little work, BUT, in my experience, track selection is 50% of a set.. 20% is working with the crowd, and 30% is technical mixing ability. This set i really enjoyed, and infact there's a track in there i've been trying to ID for quite some time now
nice work, and never be hesitant to practice mixes for as long as possible, even if it sounds crappy, try to keep it beat matched as long as you can. Even see how long you can drag out a mix, for example... bring in the track to mix, and have low/mid/high turned all the way down (i never use a crossfader) then start with the highs, turn them slowly up on beat, then work the mids, then start to fade out the high/mids of the other track. then as you bring in the bass, start to slowly cut the bass of the other track. bass is the real catcher, it's the trickiest to bring in and be sneaky about it, although if you get 2 tracks that match well, and it's done just right, you'll get a big grin knowing what you just did.. mixed 2 records and no one in the crowd realized it..
cheers
EPoC |
Hey EPoC thanks for the massive Feedback man
I know what youre talking about and yes beatmatching is not my strongest point
I´ve tried your recommendations and I was like WTF?? Is this me mixing??? Because it sounds so good
So I made another mix with a massive tracklist and with a mixing that even suprised myself hehe.. I´ll upload it soon but I only have 9 GB traffic a month and I already have over 100 GB this month
| quote: | | Originally posted by j_spot EPoC knows what hes talking about..his last mix is dead on. |
Thanks man 
___________________
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Nov-11-2003 17:33
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