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Heh!!
This very topic's been on my mind a lot lately. In fact, I find it really hard to start a track these days, because the sounds I'm surrounded by (and have at my immediate disposal right now) are getting old fast.
As for sounds becoming more complex; electronic music in the late '90s used to be VERY detailed and textured; lots of bell-like sounds, organ-y sounds, string pads way in the back, serious filter action, weird little fake horns, synthy spanish guitars, pianos, fuzzy stuff, etc. Very colorful chords, sophisticated lines.
IMO the variety disappeared when everyone went for the jugular and competed for the biggeset and fattest this and that.
Big supersaws (note: always SAWS, not squares, not combination waveforms, but saws), big galloping basses, chirpy 909 hihats, simple Barney-esque melodies or chopped-up Beethoven or Vivaldi. A lot of what's been called trance the past couple of years seems more like Eurodance gone all heavy-handed and serious. And everyone seemed to do it the same way.
It was great for quite a while, but then there was more. And then there was more. And then there was more!! Same with other genres too, unfortunately.
So for the time being, I'm thinking about the aesthetic of trance at its roots; things like THIS, and THIS, and THIS, and even though it's not trance, THIS.
I'd hate to shop yet another typical melodic supersaw thumper. Bonzai might eat it up in a second if it's good enough, but I'm just helping to run the genre into the ground.
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