quote:

Originally posted by Nou What I do with my 500 when mixing is pitch and beat match with the master and the incoming channel (still with the fader all the way down) on the phones, then when i start to bring in the track I only listen to the master and adjust through that, and if i really need to check on something i turn the incoming channels cue back on just to check again, then turn it off. It works well and I hear what is over the mains the whole time. But whatever floats your boat...

hmm strange, i always tell myself off for doing that! i always like to have an ear on the cue track all the time.. i find i can hear if it is going out a lot quicker and make the nessesary adjustments before people notice

my boat floats differently

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MUGGETS

I was out of town for a while so haven't had a chance to check this thread.

Okay, so the DJM 600 has a split cue which allows you to adjust the volume level in each ear (phone). When I am mixing, sometimes I will have the cue track's channel selector on so that it is coming through my headphones pretty strong while the live track is coming through just slightly by pressing the master volume selector and adjusting the master volume. Is this similar to split cue on the 600?