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DJ Joshua H
Senior tranceaddict
Registered: Sep 2003
Location: Boston, Massachusetts
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| quote: | Originally posted by _Nut_
I see both sides.
First off you are no Tiesto,Van Buuren, Picotto or any other big name... therefor people pay to goto the club, not goto the club and see just you. When you DJ you are at the mercy of the club owners (i know because I dealt with it for 4 years). So you play for the masses and its top 40 and hip hop. So what. You are a DJ. You play for the people. What is the point of sticking to one genre your whole career. Expand a little and enjoy it. Learning and knowing more than just trance and progressive wont kill you. How many big DJ's got to where they were playing only their one set style and how many got to where they are from the bottom up, pleasing the masses and then slowly filtering in their style. |
You have a good point and I think that there are two ways to look at it. (1) you can suck it up and play hip hop/mainstream/top 40 which may get more people to dance depending on the type of venue and you can get some valuable experience. (2) stick with your guns and try to get a gig elsewhere that has more of a trance/house following, and play what you love
I'm kind of in the same situation so what Nut says makes me think that you kind of need to work your way up to playing what you love to a big crowd. but is that really what you need to do? I know that you need to start somewhere but do you really need to be a jukebox first?
One last concern about playing mainstream: buying the records. If you are going to play mainstream, then that means that you need to totally revamp your record box, right? if you only have prog. trance records then you need to go out and stock up on new ones that fit the mainstream. This will cost a sh*t load of extra money especially if you want to also keep buying prog. trance records. How do you deal with this problem as well?
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Sep-27-2004 15:54
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_Nut_
North x NorthWest

Registered: Nov 2001
Location: 61.105423,-149.723555
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| quote: | Originally posted by roosh
I agree with you, which is why I play a mix of house and hip hop. People really like the house I play and I constantly get compliments. When I play hip hop they ask for house, so this isn't an hip hop crowd. I know what these people want.
Thing is the owner wants me to play ALL hip hop, which isn't expanding or enjoying it as you describe.
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My thoughts on this. (and there are 2 sides to it as well.) All clubland DJ's that arent big time have to deal with the owners.. it is after all their club, their money, their sound system. After time the owners should see what you can do and eventually trust your decision. The first time I stepped upto the decks I thought I would rock it. My boss (the head DJ) let me spin @ peak hours on the first night. What did I do? Bomb.... it was all planned. I didnt know that crowd, I didnt know that club, I didnt know that atmosphere. So I started from the bottom... being a light guy. Then came time to open. By then I knew what made the crowd tick, the owners knew me. After a year I was a full res DJ. The owners saw and trusted my thought process in music. Yes they still had say in what was played but it was mixed with my flavour.
Now on for the real meat. When you say "they ask for house" is that a select few that come up to the booth begging for it, or is it a constant stream of people? Ive played in many cities and each places varies. The only place that I have seen as receptive to house is my hometown, Chicago. This is a hip hop driven country, sad to say... and that is what drives most smaller clubs. It doesnt sound like where you are playing is very big.. if there is no dance floor and you are looking for "the head bob" The club where I was a res @ was at fire code when we had 1500 people. That happened nightly.
If I were in your shoes, I would get out of the small club atmopshere and move on to a bigger venue. I never realized before how teeenie your club is....
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Sep-28-2004 16:27
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