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| quote: | Originally posted by muzzybear
My advice... find a program with an internship. Then get placed at a post sound facility like Deluxe (with the Sound Dogs) or DAVE or Access Post Audio or Tattersall sound. If you get hired on, you'll be making union money - at least $1200 a week for sound editing for TV or Film. Work experience will take you farther than your education. My friend George was a teacher at Trebas on the weekends and worked at Deluxe. Trebas will take your money and send you on your way. Get a program with the internship. That's the key. I work in the industry, so if there's any other advice or a recommendation I can give, let me know! I once gave an intern here a recommendation for Tattersall sound, and he's a working editor now (making about $1800 a week on Films - check the DGC guide for union rates). All of the editors I know have their own protools systems and make music at home in their home studios. You can charge thru the nose for equipment rentals, too. |
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"It's too cerebral, man! We're trying to make a movie, not a film!!!!!!" - Kit Ramsey
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