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AndskiSpeed
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Registered: Mar 2003
Location: stoke

quote:
Originally posted by SYSTEM-J
Yeah, because that's all of EDM.


fair does, but this IS 'trance addict'... I was assuming he was on the subject of trance! nevermind


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Old Post Jan-31-2005 21:08  United Kingdom
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montana
dub come save me



Registered: Mar 2003
Location: södertälje. sweden

quote:
Originally posted by sandstorm03
there are plenty of producers that do not spin, or spin very often...

The bigger ones imo

MIKE
Airwave
Darren Tate
Kyau vs. Albert
Mirco De govia
Katana
John Graham
Andy Moore
Steve Helstrip


a lot of the time its just a part time job

Ralphie B...


and then we have the producers that does not want to spin at all because they think they suck (or something like that)
arksun, marc mitchell


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Old Post Jan-31-2005 21:27  Syria
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Fresh Prince
Instant Favorite



Registered: Aug 2003
Location: London

I've read interview here with Umek, our biggest star DJ, he said most money is in making compilations, then artist albums, and live sets. I guess singles come in last.

Old Post Feb-01-2005 00:49  United Kingdom
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Light The Fuse
Training Tranceaddicts



Registered: Oct 2004
Location: Fist Pumping, Au

DJing is more about paying the bills/getting the thrills and production is more about the art methinks. If the art helps the DJing then your doing very well. imo


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Old Post Feb-01-2005 01:15  Australia
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8Wonders
Arnej



Registered: Mar 2002
Location: Toronto, Canada

Speaking as an upcoming artist, there is not much money circulating around. How much you make soley depends on how many copies you sell, but high selling records are becoming a rarity. Last big record I can think of was As The Rush Comes, which sold some 13,000 copies. The average track sells between 800 and 1000 on any given label. Some exceed that, some go bellow that. In most cases, 800 sold copies will leave barely any profit left, much of that is consumed by the costs (artwork, vinyls, white labels, mastering). How much the artist gets in the end also depends on what kind of a deal he has arranged with the label.

Compilations do not yeild the money they did in the past, when sales would exceed well over 100,000, even millions. Now a 'successful' compilation is one that can sell 20,000, 30,000 copies. The money is also not that great, and it comes 1-2 years after, so don't expect instant riches by any means.

The only viable source of revenue the artist can hope for is a remix job from a commercial label, those pay the most, your average Lost Language, ASOT, Blackhole remix deal will get you 500-1000 Euros nowadays, if you are lucky.

If you got into this industry hoping to make some money, sorry to break it to you, but there is none to be made. If you want to make heaps of money, start producing hip hop beats, and who knows, you just may be the next Timbaland, charging 250k per beat.

Old Post Feb-01-2005 03:07 
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TranceAddict Forums > Main Forums > Music Discussion > Is there any money in EDM singles?
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