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Inertia
yes.



Registered: Jul 2002
Location: Santo Domingo, Dominican Republic

quote:
Originally posted by CosmoKid
everyone i talk to tells me its easier for them to mix out of a breaks track then into one.

for me its the opposite. i dont get it.


i REALLY REALLY REALLY know where you're coming from. when i got it down the first, time, mixing a breaks track in perfectly, i felt invincible. then i tried to mix out... and felt like a big pile of shit. heh

here's how i got it down: you have to forget about beats, hats, snares, or claps (well, sure, they help), but eventually, you can use percs and mix out of breaks second nature, however, the way i did it was one day, i had: Chable & Bonicci - Before You Beat My Box, playing at a friends house, he was asleep, so i thought "ah well, he won't notice me fucking up", and i looked for a record with a real blatant and abrasive bassline. FC Kahuna - Nothing is Wrong. i suggest electro, with simple, yet hard and dominant bass loop.

anyways, cue up your 4/4 track, let it go on beat, and then have both tracks play in the phones. kill the kicks if necessary, as they may confuse you. just listen if the bass loop is coming in too quick, or too slow. correct accordingly. and practice.

eventually, you'll just mix music, not think of breaks or 4/4. this method may help your beatmatching, but remember that EQing with breaks is different than with 4/4s, and should be evaluated on a case to case basis, so, just keep at it.


___________________
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Old Post Feb-01-2005 23:22  Dominican Republic
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Derivative
Bipolar Bear



Registered: Jun 2004
Location: Dublin

quote:
For some crazy reason, I can mix breakbeat with breakbeat, and also in and out of 4/4 beats without any problems, mixing 4/4 to 4/4 is harder for me, don't get it, maybe I'm meant to be a full on Breakbeat boy.


i get this too. but the mixing experience i have is all hardcore, freeform, drum and bass and breakbeat. mixing in and out of breaks i dont find any more difficult that mixing into or out of 4/4 or just mixing straight 4/4 kicks. its the mixing in general that i find problematic. heh.

seriously though, getting yourself some freeform records and a few breakbeat ones is a good idea. freeform quite often has breaks and 4/4. most freeform is designed to be played on 45 speed. but you can get away with +6 or 7 on 33 speed and it doesnt sound stupid (although its debateable that freeform doesnt sound stupid played at the speed it was intended. heheheh. i do luvs me hardcore). so it'll fit into fast breakbeat. or you can do it with drum and bass as long as you dont mind 180 bpm mash ups. you will get seriously fecking good at mixing into/out of breaks cuz of the way freeform intros are often combos of 4/4 kicks and breakbeats (sometimes both together).

Last edited by Derivative on Feb-02-2005 at 01:35

Old Post Feb-02-2005 01:28  Ireland
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Derivative
Bipolar Bear



Registered: Jun 2004
Location: Dublin

common breakbeats:

K--- ---- --K- ----
---- S--- ---- S---

most breakbeats are variatiosn on the above although get used to hearing these variations because you want to be able to line up 4/4 kicks with them. ill explain in a minute.

K-K- ---K --K- --K-
---- S--- ---- S---

K--K ---- --KK ----
---- S--- ---- S---

in most cases the snare is similar to the clap in 4/4 kick type music but occassionally they'll surprise you with something like

K-K- ---- ---- ----
---- S--- -S-- ----

or

K-K- ---- ---- ----
---- S--S -SS- -S-S

theres plenty more but the basic idea is there.

4/4 kicks ala trance looks like

K--- K--- K--- K---
---- S--- ---- S---

which is the most common set up (it is actually a very simple breakbeat in a way only the snare is more often a clap).

ok. bop your head to the kick drum. nice and easy. just get into a rhythym. now do it twice as fast so you are nodding like

K-K- K-K- K-K- K-K-

you are now bopping your head in 1/8th intervals in time with the beat. you cant really nod to every one just nod forward and bring it back on the next, then forward again etc. its just too fast.

this is more the kind of interval you looking to beatmatch parts of the drums to. going back to this:

K-K- ---K --K- --K-
---- S--- ---- S---

its a variation of a classic rock and roll drumbeat: a down beat every 1/8th with an upbeat (snare hit) every 2nd quarter note:

K-K- --K- K-K- --K-
---- S--- ---- S---

thats all in 1/8ths so its an easy breakbeat to beat match into 4/4 time. its exactly the same as a 4/4 beat only twice as fast. note that you can bop to this just like you would any trance tune. your head comes down every downbeat (every 1/4 note) and up every alternating note. you can nod like this to most breakbeats and get the kick drum in trance to hit every time your head comes down on every 1/4 note.

in trance theres normally a line of hihats that go in 1/8ths and you can sometimes beatmatch to them. or you can do what i do and beatmatch every kick in the 4/4 song to every 2nd beat in a breaks song of this type. *but*...

in some breaks (alot of the ones above) certain beats 'swing.' the more you hear them the more you'll get a feel for them but the principle is always the same. you will always have the first K of a drum loop as a reference point. 90% of the time you will have a snare every 1/4 note. so queue it off on the first downbeat of the drum loop. when it loops around and starts again, listen for if your 4/4 tune lands a kick exactly on the downbeat. if the downbeat hit before the first beat of the breaks tune, its too fast and you gotta slow it down. its just like mixing any other tune really only with breaks you have to think about in terms of drum loops. and using the first point, or certain points of that loop as reference points. just break it down. then its easy.

Last edited by Derivative on Feb-02-2005 at 02:00

Old Post Feb-02-2005 01:54  Ireland
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J:\Digital
Guest



Registered: Not Yet
Location:

quote:
Originally posted by Derivative
common breakbeats:

K--- ---- --K- ----
---- S--- ---- S---

most breakbeats are variatiosn on the above although get used to hearing these variations because you want to be able to line up 4/4 kicks with them. ill explain in a minute.

K-K- ---K --K- --K-
---- S--- ---- S---

K--K ---- --KK ----
---- S--- ---- S---

in most cases the snare is similar to the clap in 4/4 kick type music but occassionally they'll surprise you with something like

K-K- ---- ---- ----
---- S--- -S-- ----

or

K-K- ---- ---- ----
---- S--S -SS- -S-S

theres plenty more but the basic idea is there.

4/4 kicks ala trance looks like

K--- K--- K--- K---
---- S--- ---- S---

which is the most common set up (it is actually a very simple breakbeat in a way only the snare is more often a clap).

ok. bop your head to the kick drum. nice and easy. just get into a rhythym. now do it twice as fast so you are nodding like

K-K- K-K- K-K- K-K-

you are now bopping your head in 1/8th intervals in time with the beat. you cant really nod to every one just nod forward and bring it back on the next, then forward again etc. its just too fast.

this is more the kind of interval you looking to beatmatch parts of the drums to. going back to this:

K-K- ---K --K- --K-
---- S--- ---- S---

its a variation of a classic rock and roll drumbeat: a down beat every 1/8th with an upbeat (snare hit) every 2nd quarter note:

K-K- --K- K-K- --K-
---- S--- ---- S---

thats all in 1/8ths so its an easy breakbeat to beat match into 4/4 time. its exactly the same as a 4/4 beat only twice as fast. note that you can bop to this just like you would any trance tune. your head comes down every downbeat (every 1/4 note) and up every alternating note. you can nod like this to most breakbeats and get the kick drum in trance to hit every time your head comes down on every 1/4 note.

in trance theres normally a line of hihats that go in 1/8ths and you can sometimes beatmatch to them. or you can do what i do and beatmatch every kick in the 4/4 song to every 2nd beat in a breaks song of this type. *but*...

in some breaks (alot of the ones above) certain beats 'swing.' the more you hear them the more you'll get a feel for them but the principle is always the same. you will always have the first K of a drum loop as a reference point. 90% of the time you will have a snare every 1/4 note. so queue it off on the first downbeat of the drum loop. when it loops around and starts again, listen for if your 4/4 tune lands a kick exactly on the downbeat. if the downbeat hit before the first beat of the breaks tune, its too fast and you gotta slow it down. its just like mixing any other tune really only with breaks you have to think about in terms of drum loops. and using the first point, or certain points of that loop as reference points. just break it down. then its easy.


way too much to read... just keep practicing...

edit: I did read it

Last edited by on Feb-02-2005 at 02:26

Old Post Feb-02-2005 02:10 
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Derivative
Bipolar Bear



Registered: Jun 2004
Location: Dublin

i do agree that i should probably spend more time practicing mah beatmatching rather than typing up huge tuts on how to mix out of breaks. but in the absense of any decks in my room, it makes me feel like im doing something productive and musical. hah!

Old Post Feb-02-2005 03:28  Ireland
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Zild
Ten City



Registered: Jun 2004
Location: San Antonio, US : TXTA #156

woah man that made by brain hurt and i've been playing drums since the 6th grade


___________________
I've never been able to eat a whole baby.
Kill the women. Eat the children.
It's just one of those days where you want to bend over everyone you know and kiss their ass goodbye with a big sideways boot.

Latest Mix

Old Post Feb-02-2005 03:50  United States
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J:\Digital
Guest



Registered: Not Yet
Location:

quote:
Originally posted by Zild
woah man that made by brain hurt and i've been playing drums since the 6th grade


Yea man.. I only said I read it, doesn't mean I comprehended it very well..

Old Post Feb-02-2005 03:55 
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Zild
Ten City



Registered: Jun 2004
Location: San Antonio, US : TXTA #156

I have a few hip-hop and breaks songs that are a bitch to mix because they have snares going crazy all over the place. Or they'll just have a snare on the two and then on like the 3.5 beat instead of the two and the four.


___________________
I've never been able to eat a whole baby.
Kill the women. Eat the children.
It's just one of those days where you want to bend over everyone you know and kiss their ass goodbye with a big sideways boot.

Latest Mix

Old Post Feb-02-2005 03:59  United States
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Derivative
Bipolar Bear



Registered: Jun 2004
Location: Dublin

most breaks songs will have more snares yes, but those are the ones you single out with your ears. theres more than just simple off hats in trance and yet you can make the off outs between kick drums. same with breaks. and come on! if you've been drumming you'll know exactly what i mean! whats so hard to understand about it?

Old Post Feb-02-2005 06:03  Ireland
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Zild
Ten City



Registered: Jun 2004
Location: San Antonio, US : TXTA #156

I know exactly what you mean because I've been drumming I just think you made it a little bit confusing though. I'm talking stuff like Aphex Twins that has snares and rolls and all sorts of precussion all over the place but is still in 4/4.


___________________
I've never been able to eat a whole baby.
Kill the women. Eat the children.
It's just one of those days where you want to bend over everyone you know and kiss their ass goodbye with a big sideways boot.

Latest Mix

Old Post Feb-02-2005 07:13  United States
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CosmoKid
M.I.K.E. Stole my Alias



Registered: Jul 2003
Location: New Jersey, USA

quote:
Originally posted by Derivative
common breakbeats:

K--- ---- --K- ----
---- S--- ---- S---

most breakbeats are variatiosn on the above although get used to hearing these variations because you want to be able to line up 4/4 kicks with them. ill explain in a minute.

K-K- ---K --K- --K-
---- S--- ---- S---

K--K ---- --KK ----
---- S--- ---- S---

in most cases the snare is similar to the clap in 4/4 kick type music but occassionally they'll surprise you with something like

K-K- ---- ---- ----
---- S--- -S-- ----

or

K-K- ---- ---- ----
---- S--S -SS- -S-S

theres plenty more but the basic idea is there.

4/4 kicks ala trance looks like

K--- K--- K--- K---
---- S--- ---- S---

which is the most common set up (it is actually a very simple breakbeat in a way only the snare is more often a clap).

ok. bop your head to the kick drum. nice and easy. just get into a rhythym. now do it twice as fast so you are nodding like

K-K- K-K- K-K- K-K-

you are now bopping your head in 1/8th intervals in time with the beat. you cant really nod to every one just nod forward and bring it back on the next, then forward again etc. its just too fast.

this is more the kind of interval you looking to beatmatch parts of the drums to. going back to this:

K-K- ---K --K- --K-
---- S--- ---- S---

its a variation of a classic rock and roll drumbeat: a down beat every 1/8th with an upbeat (snare hit) every 2nd quarter note:

K-K- --K- K-K- --K-
---- S--- ---- S---

thats all in 1/8ths so its an easy breakbeat to beat match into 4/4 time. its exactly the same as a 4/4 beat only twice as fast. note that you can bop to this just like you would any trance tune. your head comes down every downbeat (every 1/4 note) and up every alternating note. you can nod like this to most breakbeats and get the kick drum in trance to hit every time your head comes down on every 1/4 note.

in trance theres normally a line of hihats that go in 1/8ths and you can sometimes beatmatch to them. or you can do what i do and beatmatch every kick in the 4/4 song to every 2nd beat in a breaks song of this type. *but*...

in some breaks (alot of the ones above) certain beats 'swing.' the more you hear them the more you'll get a feel for them but the principle is always the same. you will always have the first K of a drum loop as a reference point. 90% of the time you will have a snare every 1/4 note. so queue it off on the first downbeat of the drum loop. when it loops around and starts again, listen for if your 4/4 tune lands a kick exactly on the downbeat. if the downbeat hit before the first beat of the breaks tune, its too fast and you gotta slow it down. its just like mixing any other tune really only with breaks you have to think about in terms of drum loops. and using the first point, or certain points of that loop as reference points. just break it down. then its easy.


whoa. damn man. i read it, understood it for the most part. thanks.

my problem isnt necessarily knowing what element of the track to use when beatmatching. if you put a breaks song on I can tap in time and hear what is keeping the beat (s, k). for some reason i feel like i dont hear it when i start mixing in my next song.

maybe since its not an obvious kick that when i mix in a 4x4 which has a repetitive kick it throws me off.


___________________
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Old Post Feb-02-2005 15:14  United States
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Zild
Ten City



Registered: Jun 2004
Location: San Antonio, US : TXTA #156

You just need more practice then. It comes with time.


___________________
I've never been able to eat a whole baby.
Kill the women. Eat the children.
It's just one of those days where you want to bend over everyone you know and kiss their ass goodbye with a big sideways boot.

Latest Mix

Old Post Feb-02-2005 16:45  United States
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TranceAddict Forums > DJing / Production / Promotion > DJ Booth > Mixing OUT of a breaks song?
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