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| quote: | Originally posted by CosmoKid
everyone i talk to tells me its easier for them to mix out of a breaks track then into one.
for me its the opposite. i dont get it. |
i REALLY REALLY REALLY know where you're coming from. when i got it down the first, time, mixing a breaks track in perfectly, i felt invincible. then i tried to mix out... and felt like a big pile of shit. heh
here's how i got it down: you have to forget about beats, hats, snares, or claps (well, sure, they help), but eventually, you can use percs and mix out of breaks second nature, however, the way i did it was one day, i had: Chable & Bonicci - Before You Beat My Box, playing at a friends house, he was asleep, so i thought "ah well, he won't notice me fucking up", and i looked for a record with a real blatant and abrasive bassline. FC Kahuna - Nothing is Wrong. i suggest electro, with simple, yet hard and dominant bass loop.
anyways, cue up your 4/4 track, let it go on beat, and then have both tracks play in the phones. kill the kicks if necessary, as they may confuse you. just listen if the bass loop is coming in too quick, or too slow. correct accordingly. and practice.
eventually, you'll just mix music, not think of breaks or 4/4. this method may help your beatmatching, but remember that EQing with breaks is different than with 4/4s, and should be evaluated on a case to case basis, so, just keep at it.
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check out my guest mix for OndaSonora Podcast (aug.2009)
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