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Livesets are a key part of what makes trance an exceptional form of music. If one only listens to singles, they miss half the experience; dance music exists both at the production level, and the broader level of set flow. CD mixes can approximate a liveset, but since they're all studio-engineered, they miss the spontenaity of what's occuring in the live context.
Headliners typically have canned permutations to what they spin, which similarly defeats the broader purpose of dance music as a spontaneous, creative process at the set level. This is an important element to what makes a good DJ, and why the DJ has a place at all in dance music.
On production work alone, trance, or any dance music, is terribly uncomplicated. It's the "extended phenotype" of the set which really bears the exceptional traits of the genre. I think anyone who misses that is, well, missing a lot of what dance music offers, and a lot of what it stands for.
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