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I would say that if you can get dead accurate with one-ear on/off, mixing in the phones in those rare no-monitor situations should be cake.
I was always mixing one-ear on/off to beatmatch, but then I was cueing in the master at the last second to make final adjustments. Of course, when I played out the first time it was rather shocking... it was nearly impossible to hear both tracks clearly in the phones.
So I've since forced myself to not cue more than one channel at a time, and with practice I've been quite pleased with how my accuracy has improved.
One other thing that has helped a lot is that I switch cue-ears back and forth. If I mix on my "right" CDJ or TT, I use my left ear in the phones. When I mixed to the "left" side, I switch. It's really helped with training your ears to listen for things at different volume levels.
| quote: | Originally posted by Inertia
the 600, and the xone:62 both have vertical plugs for your cans (which is kind of dumb i guess, why not make em horizontal?) and, my headphone's only flaw (i got Sony MDR 7506s, love the damn things) have straight plugs (which is kind of dumb i guess, why not make 'em L shaped, like the Sennheiser HD25s?) so i guess over time, yes, this could maybe damage it. rubber band? |
They mount the headphone plugs on the top of the mixer because it gives the club the option of rack mounting the mixer in the console. I have a pair of Stanton 2000's and they have a 45 degree angle phono connector. If you are really concerned, see if you can buy a short male-female 1/4" cable, and use that to plug into your mixer and then the headphones into that.
Last edited by Ryan0751 on Jan-02-2006 at 16:19
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