quote:

Originally posted by technomonster hey spirit, thats probrably what he might have been doing. it is my interprrtation about the crossfader, but he was definately using that as well. i could definately hear vynil 1 at say 30 % volume and the Vynil 2 at 70% at various times and it all sounded neat.if that makes it any clearer. i guess i am wondering if a loud theme i have at bar 33 will force the dj to cut out the other track totally. just wondering if that makes my track 'dj unfreindly' and boring because it onlly allows for one method.

The DJ will most likely fade the tune out as the theme goes out and bring in the next track and overlay it on top, gradually bringing in the volume, the highs, mids, lows etc. If it has a beat after the theme, it's DJ friendly, if it just has the theme and cuts off it might not be but the DJ can always find a way to use this track as filler or for an end track, they could also just harmonically mix it with another track, but you usually have 64, 96 or 128 beats after the "theme". It all depends on the track...and the style..I assume by theme you mean like a breakdown of some sorts or a main melody?

you're an embarassment to this country

quote:

Originally posted by A.J. you're an embarassment to this country

yup.


Plus theres a whole section for exactly this kind of question (although I'm still a little confused as to what the question actually is)

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**Man I'm Pretty**

A.J WROTE

quote:

you're an embarassment to this country

youll actually find that i'm an okay musician, in different genres classical and world.
i have been working on a new dance beat and style for years and although it has trancy aura, i have found that i cant apply TRANCE methods for it too work,

so I am trying to make sure that it will be fine with DJs.

because it is slightly trancy, it is trance Djs who i am going to first ask to play it.

TRANCE NUTTER WROTE

quote:

Plus theres a whole section for exactly this kind of question (although I'm still a little confused as to what the question actually is)

mmmmmmmm, nice if you could tell me where.

quote:

Originally posted by technomonster mmmmmmmm, nice if you could tell me where.

ummmmmmmm, the "production studio" maybe?

I suggest looking with your eyes open
(Thanks Mr. Mystery, what a classic line)

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**Man I'm Pretty**

Why don't you just produce tracks how you want to? Some of the best tracks/artists are those that didn't stick to any sort of boundaries or tried to fit-in, rather they did something different that they liked.

Technomonster,

You don't get to decide what DJs get to do with your music. They do.

YOU don't tell them how to spin, and THEY don't tell you how to produce. That's the way it works. The DJs that like your tracks will buy your records and mix them in the way that suits their purposes. Your control and say in this relationship ends when you press your music to wax.

The end.

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www.misterfalconmusic.com

quote:

Originally posted by Trance Nutter ummmmmmmm, the "production studio" maybe? I suggest looking with your eyes open (Thanks Mr. Mystery, what a classic line)

No problem, I aim to please.


Well, not really.

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just make a track 4/4 beat 16 or 32. make it 6 - 8 mins long. the dj will take care of the mixing.

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Doo Doo Breaks

just post the damned track up in the producer forum and get feedback there!

quote:

Originally posted by Mr.Mystery No problem, I aim to please. Well, not really.

You see your reputation precedes you Nik - wooopaaaz Dude

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