That's something to do when i get home.

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Hopefully if we get enough patches on a wider variety of synths with detailed instructions, this could turn into a pretty decent repository of sound effects and may even...beat...the...supersaw thread?!

Besides, I could do with learning something new. Teach me how to make more spacey sound effects via FM.

Here is an mp3 of the fx I was talkin about, the panning LFO.

http://www.yousendit.com/transfer.p...3BEF5E802E3C9AB

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Hot thread. Once school is out I'll throw in a few of my tricks. If I get around to it.

Peak PWM is a great wave type to make the Psy Burp.

Cybernetica showed me an awesome way to do it in Vanguard.

Bah. Need sleep.

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quote:

Originally posted by Frost-RAVEN LFO PANNING MADNESS

..you know that you can do that without needing to export and put it in the NN19, right? Copy the automation from the subtractor to the pan knob of the mixer channel and you'll get the exact same effect.

Mike

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quote:

Originally posted by Derivative PutBoy, I wouldnt mind trying to make Woodpeck on my Virus B. I have tried already but its not looking too hot right now. Could you be more specific about the patch creation?

It's the fifth patch in FM7 (Wurlitcheritz or something). The FM7 is very complicated, and probably too complicated for me so I don't really know how that sound is created. But I'll take a look.

No, don't get it, but as far as I can tell there's only sine-waves. Damn, I really need to learn the FM7, some of the patches you get with it are really wonderful.

I could post a soundclip of the sound dry if that helps: (clip's C5, though I use C7 in making the FX):

http://www.fileden.com/files/2967/patch5sample.mp3

Can't help you any further, you'd have to ask someone who can work the FM7.

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im finding this rather interesting, though its a shame im not sure how to do these things in FL.

Heres my attempt at getting funky with FX.

http://dj_sea.sitesled.com/crackle%20FX.mp3

its basically a clap sample cut very short and played on 32th's then i added a grain delay (in Live 5) reverb and some erosion and chorus for good measure.

sounds very harsh

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nice perc fx dj sea!

i can see that being a nice groovy element in a song

quote:

Originally posted by esselfortium ..you know that you can do that without needing to export and put it in the NN19, right? Copy the automation from the subtractor to the pan knob of the mixer channel and you'll get the exact same effect. Mike

Actully you wont get the same effect, cuz the automation is not for the panning, its the amount of the LFO. It has to be another lfo, and the nn19 has the right one.

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quote:

Originally posted by PutBoy It's the fifth patch in FM7 (Wurlitcheritz or something). The FM7 is very complicated, and probably too complicated for me so I don't really know how that sound is created. But I'll take a look. No, don't get it, but as far as I can tell there's only sine-waves. Damn, I really need to learn the FM7, some of the patches you get with it are really wonderful. I could post a soundclip of the sound dry if that helps: (clip's C5, though I use C7 in making the FX): http://www.fileden.com/files/2967/patch5sample.mp3 Can't help you any further, you'd have to ask someone who can work the FM7.

Well, ok but:

1) I know they will all be sine waves because you dont need any other waves. Thats how FM operators work - by modulating sine waves on top of sine waves. The offset and ratio in which all the operators are mixed in determines the pitch and timbre of the sound.

2) I can work out what the LFOs and amplitude envelopes and filters (if applicable) are doing by ear but I would need to know how all the sines are mixed and in what proportion. I dont have FM7 but theres a demo on the NI website so I might give it try from there. Theres a demo of Blue too so its cool.

The only thing I need to know is the gain and stereo pan settings for each operator (I think FM7 has 6 of them because the DX7 has 6). That and the ratio and the frequency offset for each operator.

I'll have part 3 of the Access Virus Effects tutorial up either tommorow or the day after. Stay tuned. Dunno what FX I am going to build but I figure I'll just wing it like the others...

quote:

its basically a clap sample cut very short and played on 32th's then i added a grain delay (in Live 5) reverb and some erosion and chorus for good measure. sounds very harsh

Mate it sounds like 909 thunder!

Last edited by Derivative on Jun-01-2006 at 22:53

quote:

Originally posted by Derivative Mate it sounds like 909 thunder!

exxxxxactly

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