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michaelconway
Suspended User
Registered: Jun 2004
Location: Daly City , CA
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Agreed with morello. A couple of things I thought i should add.
Promoting: Now ill start off by saying promoting is the first step to getting your self booked and known. By promoting, I mean actually promoting for parties. Get to know the promoters, tell them you will be willing to pass out there flyers, if they would consider booking you. Now out of a deal like that you get a couple of perks. First you automatically start networking from there, second your showing that you are willing to work to play at first. Its hard work and there are way to many Djs.
Adding to that, Promoting your self. For every 1 promoter you give a CD to give at least 100 cd's to people. **DONT WRITE ON THE CD WITH A PERMANENT MARKER*** For about 20 bucks you can get label stickers that comes with the software. Before you start duplicating a grip of cds, give some to co-workers, or people out of the scene. I give my Cd's to my mom and dad, family, people that think anything electronic is techno. Because if they can enjoy your mix you got somthing (btw my dads a big supporter of mine). On your CD make sure you put an email address, People will Email you about your mix. Its good to keep in touch with them on a personal basis. Alot of the people that were coming out to see me play were people that i always kept in touch with.
Skills: If you think you are ready to play out, ask your self these questions.
*Will you be familiar any mixer you face?
*Can you keep songs beatmatched up?
*Do you understand how to "open" or "close" a party?
*Do you have your own pair of needles and headphones?
*Are you Comfortable mixing with only your headphones, or no monitors?
Becuase playing out.. its not always going to be your dream setup. But you need to be professional and know how to get around setups that are not ideal.
Cockyness: On the contrary I think a little bit of selfesteem goes a long way in your performance. I've played at parties where i felt i was the most experianced dj there, and I tore it up. there have been clubs where ive played after a big name DJ, and just sucked ass. Confidence in your self and your mixing is essential. Like most things you will start to have problems when you get TOO cocky, and you forget where you come from.
Networking/relationships: Be yourself,
***im at work , so ill edit later on my break***
___________________
*** Sig edited -> no banner ads in sig
http://img50.**************/img50/9665/tabannerfp7.jpg
Oct 29th: TORQ 18+ @ Ruby Skye (18+)
myspace.com/djconway
Last edited by michaelconway on Jun-26-2006 at 19:55
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Jun-26-2006 19:50
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SVGmethod
djcurly.com

Registered: Sep 2003
Location: LATA#555 (Santa Barbara, CA, USA)
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| quote: | Originally posted by michaelconway
Agreed with morello. A couple of things I thought i should add.
Promoting: Now ill start off by saying promoting is the first step to getting your self booked and known. By promoting, I mean actually promoting for parties. Get to know the promoters, tell them you will be willing to pass out there flyers, if they would consider booking you. Now out of a deal like that you get a couple of perks. First you automatically start networking from there, second your showing that you are willing to work to play at first. Its hard work and there are way to many Djs.
Adding to that, Promoting your self. For every 1 promoter you give a CD to give at least 100 cd's to people. **DONT WRITE ON THE CD WITH A PERMANENT MARKER*** For about 20 bucks you can get label stickers that comes with the software. Before you start duplicating a grip of cds, give some to co-workers, or people out of the scene. I give my Cd's to my mom and dad, family, people that think anything electronic is techno. Because if they can enjoy your mix you got somthing (btw my dads a big supporter of mine). On your CD make sure you put an email address, People will Email you about your mix. Its good to keep in touch with them on a personal basis. Alot of the people that were coming out to see me play were people that i always kept in touch with.
Skills: If you think you are ready to play out, ask your self these questions.
*Will you be familiar any mixer you face?
*Can you keep songs beatmatched up?
*Do you understand how to "open" or "close" a party?
*Do you have your own pair of needles and headphones?
*Are you Comfortable mixing with only your headphones, or no monitors?
Becuase playing out.. its not always going to be your dream setup. But you need to be professional and know how to get around setups that are not ideal.
Cockyness: On the contrary I think a little bit of selfesteem goes a long way in your performance. I've played at parties where i felt i was the most experianced dj there, and I tore it up. there have been clubs where ive played after a big name DJ, and just sucked ass. Confidence in your self and your mixing is essential. Like most things you will start to have problems when you get TOO cocky, and you forget where you come from.
Networking/relationships: Be yourself,
***im at work , so ill edit later on my break*** |
The first time I played at Spundae was the first time I ever played on an Allen & Heath Xone 62 mixer. I was so intimidated. And the turntables had that center click on the pitch slider. My setup at home is the djm600 and the m5g turntables with no center click. Also it was my first time playing on a loud system...i never knew the concept of a delay in sound until that night. I think that I learned a lot from that experience even if I wasn't full ready to play out yet. It sort of forced me to do well. Because I got thrown out in the deep end and it was either sink or swim. I swam...although a sort of retarded doggy paddle. LOL.
___________________
FACEBOOK | TWITTER
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Jun-26-2006 19:59
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michaelconway
Suspended User
Registered: Jun 2004
Location: Daly City , CA
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| quote: | Originally posted by SVGmethod
The first time I played at Spundae was the first time I ever played on an Allen & Heath Xone 62 mixer. I was so intimidated. And the turntables had that center click on the pitch slider. My setup at home is the djm600 and the m5g turntables with no center click. Also it was my first time playing on a loud system...i never knew the concept of a delay in sound until that night. I think that I learned a lot from that experience even if I wasn't full ready to play out yet. It sort of forced me to do well. Because I got thrown out in the deep end and it was either sink or swim. I swam...although a sort of retarded doggy paddle. LOL. |
oh man i have been there, this one desert event i played at. The sound guy had flaked, so they called someone last minute to bring there home set up. Belt drive turntables, oldest gemini 2 channel mixer i had ever seen. We had 3-4 djs trainwreck every mix, Finally when I got on, I was like shit!!! but I kind of worked around it, No trainwrecks clean mixing. Granted i couldnt get all into it, but mixing got done. I got paid double :-)
___________________
*** Sig edited -> no banner ads in sig
http://img50.**************/img50/9665/tabannerfp7.jpg
Oct 29th: TORQ 18+ @ Ruby Skye (18+)
myspace.com/djconway
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Jun-26-2006 20:05
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Tony Morello
The Renegade Master

Registered: Apr 2001
Location: Calgary, Alberta, Canada
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Jun-27-2006 10:17
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