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Chords and Scales derrive from decades and millenias of trial-and-error of the most amazing musical geniuses of our species. They are there because they are what sounds good. You do not _have_ to follow this, but why reinvent the wheel? Of course we don't listen to music to listen to scales, but we don't look at cars to look at the wheels either. Yes, the wheels is a part of the veichle, but that is because it's what a car is built of.
In the same manner music is built on scales.
The only reason why scales and chords technically look the way they do, is because that is what sounds good, traditionally of course.
(To continue our symbolism let's say the wheel is round because it's the best way to spin it)
The amazing part, though, is that you can really clay it however you wish. The scales are not there to tell you how to write music, they're there to make it easier for you.
Just because you write scales and whatever doesn't mean you are so wired up in technicallity that in essence you are really constructing a veichle, rather than a piece of art. You can write the most beautiful music anyways, as have hundred of musicians done before you.
Really.
(I don't know where I'm getting at with this really. Bashing Derrivative I guess ;P)
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Sebastian Zander - Hotel Chaplin
Sebastian Zander - Set Two [Electro/Tech House and Trance of some sort]
Paulo Da Costa - AVGN [Prog. House](128kbps])
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