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Apologies, this should have been posted a couple of hours ago, forgot to press send. Silly me !
| quote: | Originally posted by Corteoz
@R2Project: Try some of the other sequencers. Download the demo versions. See if any of them fits your needs better.
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Actually I have tried other sequencers, an earlier version of Fruity, Orion, Cubase. We've got a Logic and Pro Tools L.E system downstairs. Still prefer P5 and Sonar
| quote: | Originally posted by Corteoz
If you still think P5 is the right tool for you, try getting to know it a lot better and tweak and fiddle around with every control there is.
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I think most people who know me will agree I actually know P5 inside and out, hope you don't think that's a boast! I've been using it since verison 1 came along. Even written a tutorial on it for "Computer Music" magazine. I admit that doesn't help on the musical side though !
| quote: | Originally posted by Corteoz
Try doing the arranging inside P5 instead of exporting to Sonar. That way you might get rid of bad timing. |
Now this is interesting ! I normally do do all the mixing inside P5, in this case I was experimenting with using Sonar, first off for it's V-Vocal capabilities and secondly so I could use it's advanced bussing. I was also hitting a major CPU wall with 40 odd tracks of softsynths going in P5 and simply couldn't add any more EQ, compression or anything else. Most tracks where frozen so at that point I thought, why not try in the audio domain only.
Now either I've made a mistake with placing the audio in the Sonar, certainly possible, or there is a more serious problem. Corteoz, or someone, I'd really appreciate it if you could point out a timing problem so I can go examine it and see where the trouble is.
Once again thansk to everyone for the opinions, just hope I'm not coming off as a dick or anything !
Peace,
Andy
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