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| quote: | Originally posted by Ryan0751
There are two basic configurations you can choose from when setting up Ableton (and from there, it's all up to you!):
1. Use one or more MIDI controllers to control everything in ableton, including mixing, firing clips and loops, etc. You'd probably want to have a 4xoutput (2 stereo pair) soundcard with a headphone jack so you can "cue".
Benefits:
- All your mixing is being done in ableton, and you can route
audio in any way you like with the software.
- Everything you do will be "recordable" as events (automation)
in Ableton, so you can go back and edit what you did.
Problems:
- Midi controllers are not setup for DJ'ing! In general they
are very cheap, not laid out in a DJ friendly way, and the
controls don't work like they should (ie, an EQ knob having
a detent at zero). The exceptions to this: A Xone:3D (super
expensive but very nice for Ableton), or the DJM-800
(less expensive, but still doesn't have enough control/audio
input options to be ideal). This is why Sasha had the Maven
controller built.
- No easy way to integrate your existing turntables/CDJ's.
2. Use one or more MIDI controllers to trigger clips, tweak effects, etc...
BUT use a multi-channel soundcard (2-4 Stereo outputs) to output Ableton into a standard DJ mixer.
Benefits:
- You are mixing ON A MIXER If you have a nice mixer, this
is key.
- Easy integration with existing setup and decks.
Problems:
- Anything you do on the mixer will not be recordable as an
action in Ableton.
- Audio routing is limited to the number of channels you have on
your soundcard.
I chose method 2, as I have a Xone 92 and I like mixing on it. The feel of my MIDI controllers leaves a LOT to be desired. I have 4 stereo outs going into the Xone. I use channels 1-3 as "ableton decks", and channel 4 for cue'ing and the a and b effects return.
I then use a Trigger Finger to trigger clips and manipulate effects. Only just getting into this, but so far I don't feel constrained by this setup at all. |
Thanks mate, you answered all my questions and then some 
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