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Joi Lamusic
Supreme tranceaddict

Registered: Jan 2002
Location: Helsinki
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Apr-15-2002 15:25
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Taz
Supreme tranceaddict
Registered: Mar 2002
Location: what's the difference
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There's more to that sound than sawtooths (or is it sawteeth?); try getting your hands on a JunoX2 plugin. Or layer more than one 3osc, filter each differently and add effects to taste. Bandpass might help to give it that horn-ish "blatt" sound.
ANYBODY - What's the name of the second track? Sounds amazing!
Thanx in advance.
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Apr-29-2002 06:09
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Taz
Supreme tranceaddict
Registered: Mar 2002
Location: what's the difference
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Thanks!
| quote: | Originally posted by cyrus2k2
I played around with that fruity-file of you, tweaked some fx, the melody and some other stuff. Now here is my version:
http://rsr.host.sk/preview/pvd.zip |
The pvd.zip doesn't open on my end unfortunately.
| quote: | | Wow, this synth-preset is great! |
Preset? PRESET?!? WE DON'T NEED NO STINKIN' PRESET!! 
| quote: | | ...And today i see how easy it is to get his sound with that cool piece of software called FruityLoops. |
Well Fruityloops is just another one of those programs with lots of options and flexibility. Once you have that, it's all skills.
Let's have a closer look at the lead sound:
3osc - Two detuned sawtooths, and one sawtooth an octave up to brighten things. SD stands for Stereo Detune, gives it a stereo fatness. SP is Stereo Phase Offset - makes it stereo without really detuning.
Look at the volume envelope (that's VOL in the INS section) I've adjusted the decay, sustain level and release times so the sound doesn't just cut off but has a bit of what sounds like reverb.
The filter is BP - a bandpass to give it a bark. Note the cutoff envelope settings (CUT in the INS screen). Hold is all the way down so it's just decay doing all the work to give it a slight "bowww" kind of effect. Gives it punch.
Then the effects: Delay to give it rhythm and bounce. Flanger - there's too much going on to describe, except that it gives more motion and thickens the sound further. If you bring up the delay knob (1st one) it becomes less of a jet flanger and more like a chorus/detune effect.
And of course the key to it all: that big reverb. It's a technique borrowed from 70's and 80's arena rock, when they wanted to get that stadium sound on the records. Think Van Halen or any metal album from the late 80's.
Ah yes and the notes: It's just parallel harmony in sixths with roots in the bass, a technique known as open voicing, so you can use a fat sound without clutter.
Stay in school, peeps!
(Mind you, some of you might know all this stuff already.)
BTW, which mix of Awakening is in the sample, is it the original?
Last edited by Taz on Apr-30-2002 at 18:32
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Apr-30-2002 18:08
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Taz
Supreme tranceaddict
Registered: Mar 2002
Location: what's the difference
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May-02-2002 13:12
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