|
Eek - to be brutally honest, hearing that reminded me of some of the less-appealing tracks from Zelda II on the NES back in 1988, only not put together as well.
My advice to you is:
- Get rid of that synth and/or patch and don't ever even think about using it again. It's beyond cheesy, it's just plain bad.
- Separate your voices into different instruments. It's never good to have one of them doing all the harmony (with the possible exception of piano, and not usually in electronic music).
- What you think is a I-VI-IV-V progression is not. In every sample you've got a key change from the "I" to the "VI" - don't do this. Abrupt key changes should only be used if you really know what you're doing and definitely not in every single repetition of the progression!
- The last sample really just sounds random. My guess is that that's what elicited the "too complex" comment. Keep in mind that a lot of people who listen to your tracks, even other producers, don't really understand much about harmony, and often they use the word "complex" as sort of a catch-all phrase to refer to anything that just doesn't sound right or make musical sense to them.
I don't wanna discourage you - you have some understanding of harmony and counterpoint which is a very good thing. I think you just need to be a little more cautious and self-critical and not be too anxious to put the first thing you come up with into the finished product. Most of us have to scrap or update large chunks of every track before it's ever ready for mass listening.
___________________
My party schedule:
2009-02-21 - DJ Attention @ I'm So Popular
2009-06-18 - DJ Annoying @ People Need To Know Where I'll Be
2012-11-32 - DJ Insufferable ɸ Or At Least the Stalkers I Complain About
2048-06-66 - Spastic & Whocares ¶ Although I'm Actually Flattered
9999-45-81 - Tweaker Gimp ☼ I Probably Won't Even Go To This But I Have To Make Sure I Fill Up All The Available Space Here
|