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SYSTEM-J
IDKFA.

Registered: Sep 2003
Location: Manchester
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Feb-27-2008 19:58
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Ishkur
Supreme tranceaddict
Registered: Jul 2001
Location: Vancouver, BC
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| quote: | Originally posted by isoterra
are you classifying notes as beats or bars, for the sake of clarity?
because the norm in 99.9% of trance is for the beats to be divided into 4, and thus the bars into 16 (as is the default on every piano roll i've ever seen) so i'm not quite sure where you're getting 8ths from |
A measure/bar can be as long or as short as you want. It can have as many beats as it wants.
A beat is not a note (at least, not yet). A beat is an abstract way of keeping tempo. Don't confuse it with the kickdrum, which is something entirely different. Don't confuse it with BPM either, which is a different kind of tempo.
The length of a note can range anywhere from being as long as the measure/bar itself (ie: whole notes or 1/1, which is basically just one long tone), to being infinitesimal fractions of a measure. Classical music rarely had notes shorter than 1/32--the notes were simply too short to play any shorter--but modern electronic compositions have used 64th, 128th, and even, if you can believe it, 256th notes.
Put these two together and you have the TIME SIGNATURE, which tells you how many beats there are in a measure, and what note value they are. So thus, in western music, the most famous time signature is the 4/4, which means there are 4 beats per measure, and each beat is a 4th note. These beats can be as long or as short as you want, so long as there are four of them per measure. Stop thinking of notes as having any specific length, and start thinking of them as fractions of the length of the measure.
Modern sequence software often divides bars into 16 steps (not notes) by default, but you can re-define them anyway you like. This doesn't mean anything you program in any of its steps is exactly 1/16th of the bar--that merely places where the note starts. You can quite easily program a whole note into step one, and it'll play throughout the duration of the bar. The number of steps in the sequencer has absolutely nothing to do with the length of the notes.
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Feb-27-2008 22:14
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SMC
custom title addict
Registered: Sep 2003
Location: Sweden
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| quote: | Originally posted by Ishkur
A measure/bar can be as long or as short as you want. It can have as many beats as it wants.
A beat is not a note (at least, not yet). A beat is an abstract way of keeping tempo. Don't confuse it with the kickdrum, which is something entirely different. Don't confuse it with BPM either, which is a different kind of tempo.
The length of a note can range anywhere from being as long as the measure/bar itself (ie: whole notes or 1/1, which is basically just one long tone), to being infinitesimal fractions of a measure. Classical music rarely had notes shorter than 1/32--the notes were simply too short to play any shorter--but modern electronic compositions have used 64th, 128th, and even, if you can believe it, 256th notes.
Put these two together and you have the TIME SIGNATURE, which tells you how many beats there are in a measure, and what note value they are. So thus, in western music, the most famous time signature is the 4/4, which means there are 4 beats per measure, and each beat is a 4th note. These beats can be as long or as short as you want, so long as there are four of them per measure. Stop thinking of notes as having any specific length, and start thinking of them as fractions of the length of the measure.
Modern sequence software often divides bars into 16 steps (not notes) by default, but you can re-define them anyway you like. This doesn't mean anything you program in any of its steps is exactly 1/16th of the bar--that merely places where the note starts. You can quite easily program a whole note into step one, and it'll play throughout the duration of the bar. The number of steps in the sequencer has absolutely nothing to do with the length of the notes. |
I wanted to explain this but i couldn't be arsed. n1 
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Feb-27-2008 22:20
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