|
| quote: | Originally posted by marko_circus
but the guys had to produce cheesy stuff to make some $$ lol |
1. and that makes it okay? because the guy just 'had to' make some money, it's cool and completely okay that he made cheesy, not to mention bad music? now, talk about selling out...wow!!! nice image of sharam you're promoting to the public there buddy (for those who don't know what he's all about already).
2. aren't you promoting this event? you don't say stuff like the phrase i quoted you on when you're trying to generate sales of an event that you are personally promoting. am i wrong?
3. don't you think he was already making more than enough money DJing? i promise you, he didn't HAVE to make those (as you called it) "cheesy" tracks to make money. he's fucking sharam of deep dish dude. that name in itself screams out CASH.
for the record, i thought sharam was absolutely stellar at red lite back in february when he played with sultan. no joke, i was expecting the worse and i got straight-up old-school sounding PROG. frankly, a really really REALLY tight set from him and i'm sure he'll deliver at Stereo. as for 1234, yeah, his style will tip more towards the commercial, mainstream side of things...but no shit! it's 12-fucking-34...he can't be playing all hard and deep there. the 16 year olds would get scared and leave 
his stereo performance will OWN his 1234 performance, not even a question there.
___________________
Afterhours is a state of mind, but significantly, it's more a state of 'I don't mind'. A determined continuation, contentment and relief that 'it ain't over yet!' An injection of music into attitude and occasion which creates an emotional wave forth that isolates globally, a ringing harmonic, a signal to a like-minded collective that 'we are only us'.
|