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| quote: | Originally posted by marko1234
for those that are saying that 1234 is 16 years old people, you should have come yesterday, we had some of the biggest clients that run around the city that i know with a super mature clientele. |
i guess i'm one of "those" people so...
first of all, i did go to the club- maher was playing the VIP upstairs 10pm-1230am. i didn't go to his gig but from what i know, all people were asking him to play was david guetta tracks (quote from a dude) and some run DMC/hiphop...WOW!!!
i got to the club with ned around 1245am...i've never been talked to so disrespectfully by a bouncer as ned and i were spoken to that night...my god! we're patiently waiting to be taken inside and he asks us, "what do u think u guys r doing here?" well, last i checked buddy, this is a club, and we're waiting to be taken inside. he's like, "Who do you know" to both me and ned. so we tell him allllll the seemingly absolutely necessary information: who we know, that maher's inside playing and he happens to be my boyfriend, we know the people who are producing this event, ned's opening for sharam at stereo, etc etc etc. he completely disregards us and walks away. nice one dude. 1234, get some fucking quality staff, like, that speak respectfully to their clients. your bouncers are disgusting and waaaaaaaaaaaaaay too high on their horses. you work at fucking 1234, chillax there deuschebag.
maher came and ushered us in...i wanted to see what this "live" act was all about. ummmm, so the opening DJ was pretty horrible imo; not exactly the kind of DJ i envisioned opening for sharam at all...the commercial tracks he was playing weren't my cup of tea but besides that, his mixing was not tight at all + zero flow and of course, he thinks he's a superstar behind the decks...his bpm was probably upwards towards the 128-129 mark which opening DJs shouldn't dare go to when opening for someone like sharam. i didn't see anything live but i left after his "be the change" opening track. so, someone fill me in on just how "live" this performance was. i heard there was a violinist at some point? any confirmations?
as for the set-up, the big white circular screen just filled up space w/o any interesting visuals while the haystacks in combination with the humidity started to smell like a farm. and those horns or whatever they were sticking out onto the dancefloor poked at least 5 people while i was standing by the steps that lead up to the booth. fucking drunk kids hehehe 
so about the age range...seriously, seriously, SERIOUSLY!!! on the dancefloor, i saw MAYBE 5 people over the age of 21. in back of the booth, another 5 people over 21. the dancefloor was FILLED with children under 21; i even overheard a group of TEENAGE guys/girls saying that they were dying to hear "say hello" on a big system. i left at like 120am or something...to head to stereo.
i dunno where all these "old" people were that you guys saw. guess i missed them. anyhow, it was a coolish night/event/production for people UNDER 21, even 18...definitely not the greatest production (mainly set-up/musically speaking) i've seen produkt pull off but it was a huge success nonetheless and i'm super happy/proud of them for that keep em coming, produkt peeps 
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Afterhours is a state of mind, but significantly, it's more a state of 'I don't mind'. A determined continuation, contentment and relief that 'it ain't over yet!' An injection of music into attitude and occasion which creates an emotional wave forth that isolates globally, a ringing harmonic, a signal to a like-minded collective that 'we are only us'.
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