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It never ceases to amaze me how many people complain about the cueing system on Xone's in general - I can understand *maybe* complaining about it on the 62 or 32, but FFS - the system on the 92 is EXACTLY THE SAME AS ON A DJM!
| quote: | Originally posted by DjWoody
Both mixers have it's ups and downs. I've used both plenty of times. I love the sound quality of the Xone, but I'm not a fan of the cueing system. However, I really can't stand the curves on the faders. You really can't hear the next track unless your fader is almost all the way up. That bothers me because I play different genres of music. However, when mixing house, prog or techno, a rotary Xone 92 is sick. A huge plus on the Xone is it's many output options. I belive in the Xone you can output up to two channels pre-mix. That's awesome!
However, I like the pioneer for it's simplicity. It's cueing system is pretty straight forward and the layout is pretty clean. I also spin Spanish Rock, Top 40 & Mashups so the faders work perfect for those styles. The effects are cool, but I rarely use them. Honestly, I bought the pioneer for it's ease of use and because I do sound at many clubs I know I would be able to rent it out more than the Xone. Up to this date, I haven't had a single request for Xone 92, but I had tons of requests for the DJM800. |
I really don't know what you're on about here, but the faders on every Xone mixer I have ever played on hardly needed to be all the way up to hear the incoming track (check the systems you're playing on before blaming the mixer), beyond that I have absolutely no idea how in fucks name you (or anyone else, really) can justify saying that a DJM is better suited to different styles of music, especially "Spanish Rock, Top 40, and Mashups" than any other mixer.
The only people who complain about any mixer's "ease of use" versus any other mixer are those who don't take the time to learn the equipment they're using.
Oh, and people more concerned with renting a mixer out to make money than actually playing on it.
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