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| quote: | Originally posted by Storyteller
It's annoying how you try to prove different points each post to make sure you have at least one thing right. First it's about how many producers actually have hardware synths. You indirectly claim most producers have hardware. I disagree. Then you reply by saying well known producers have impact on the amount of hardware used by fellow producers?! `The impact of known producers on the use of hardware in music production` was never the actual question being debated in those couple of quotes so how could this be relevant? While it might be true it's an argument that does not hold up as we where talking about the amount of dance artists that use hardware, not the impact of known producers on the use of hardware. And after saying that you say:
to prove you where right all along while that wasn't even the subject. Some posts make it seem like you've got quite a lot of knowledge on the subject but there's an equal amount that tells me you don't or that you are incredibly naive. That or you don't know how to get your point across properly. It's hard for me to actually interpret the quality and seriousness of your posts as some of it just doesn't make any sense to me whatsoever while others seem to be quite accurate (imo).
/rant
I'll stop reading this thread. I have a feeling this would otherwise end up in an even longer (stupid and) offtopic conversation about details no one really cares about. |
Honestly, your post I was replying was pointless to the discussion. Not to mention pwnage1 threw out something baseless, that I questioned, that you came in to defend. The fact that thousands of bedroom producers dont use hardware has no bearing on any of the discussion because they aren't the ones primarily influencing the interest, especially if 95% aren't even putting out music. No one sees some bedroom producer doing a liveshow with his virtual synths like they see a Ladytron or a Trentemoller working the MS-20 for hundreds of thousands of worshipping fans every year,hopeful garage bands, and producers that go to their shows.
But, I did qualify the influence of softsynth dance music producers, by noting that softsynths like Korg Legacy Collection and Arturia's emulations of vintage synths used by bedroom producers are also fueling interest of the real vintage synths they emulate. So the point is, and its very clear, that actual Hardware users spearhead the growth in interest for Vintage Analogue synths because their influence actually reaches the masses, and bedroom producers also help the interest through softsynth emulations of the actual vintage synths. Now your mad because im right on both accounts. 
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commercial and underground electronic music (house/techno/trance/other) will surpass today's hip hop/pop/rock/country in worldwide interest...if it has'nt already.
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