Originally posted by Gauss
I'll check it out, although I prefer nu skool breaks.
Got some mixes and albums that I'm planning to get soon, but more recommendations are always welcome.
I'm not talking about a genre when I say "breaks". I'm talking about beats. I've always thought it wrong that everything with a breakbeat gets marginalised to one catch-all "breaks" category. You take a total trance record and put a break under it and suddenly it's not trance, it's breaks. That's bullshit.
Dance music owes hip-hop at least as much as any other genre, and breakbeats should not be marginalised in this way.
Originally posted by SYSTEM-J
I'm not talking about a genre when I say "breaks". I'm talking about beats. I've always thought it wrong that everything with a breakbeat gets marginalised to one catch-all "breaks" category. You take a total trance record and put a break under it and suddenly it's not trance, it's breaks. That's bullshit.
Dance music owes hip-hop at least as much as any other genre, and breakbeats should not be marginalised in this way.
So what are you trying to say?
Apr-13-2009 22:41
SYSTEM-J
IDKFA.
Registered: Sep 2003
Location: Manchester
quote:
Originally posted by Gauss
So what are you trying to say?
I'm trying to say that breakbeats as a rhythmic template are uncool now, which is a travesty. I'm also trying to say we don't call all trance/house/techno/disco/blah blah blah "Four on the floor" as a genre. With good reason.
Originally posted by SYSTEM-J
I'm trying to say that breakbeats as a rhythmic template are uncool now, which is a travesty.
What about dubstep? Or do you mean stuff in the 130-150 bpm range?
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Apr-13-2009 23:08
SYSTEM-J
IDKFA.
Registered: Sep 2003
Location: Manchester
quote:
Originally posted by Sykonee
What about dubstep? Or do you mean stuff in the 130-150 bpm range?
Dubstep is more broken beat than breakbeat. There's a difference. Dubstep has wonky 2-step influences and the intricacies of the half/double speed thing going on.
So much I could recommend but I'm afraid it's all a bit older, although there are still some seriously good producers around (i.e. Coombs, Soul Of Man and the whole Fingerlickin' crew.), breaks just aren't the same as they were somewhere around 2000-2004