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quote:
Originally posted by nefardec
probably not the case, here, considering they are all friends with carl craig and had probably listened to e2-e4 for years and years and imagined doing this remix, not to mention the fact that their technique comes straight from the raw, spaced-out dub techniques of the 60s and 70s

also, when confronted with a masterpiece like e2-e4, you want to keep your distance. i think mvo actually talks about this in some interview about his 'remix' of ravel and mussorgsky with....carl craig.


Yea I see what you mean about keeping distance on a classic. But other dub artists, echospace/rod modell comes to mind...tend to do this frequently on their remix projects

Old Post Jul-18-2009 21:08 
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sljiva
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quote:
Originally posted by Guest
Ehh to me it appears that the artist was too lazy or selfish to incorporate any of the original elements when they were invited to do the remix, and instead just pulled something out of their unreleased bin and said "here, take this one"


I wouldn't say that. Doing another remix where that main melody hook plays the most important role would be quite pointless, besides BC had their own sound (which was quite unique at that time) and I can't see why would they departure from it. If you pay close attention you'll recognize couple of bits from original (Craig's version), although highly altered. But that's your dub technique right there - taking parts of original recording and using mixing board remixing them into something completely different. But for me the most important thing is that it sounds good, not where it came from.

Old Post Jul-18-2009 21:09  Croatia
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quote:
Originally posted by sljiva
But for me the most important thing is that it sounds good, not where it came from.


word

Old Post Jul-18-2009 21:11 
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