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| quote: | Originally posted by sixofour.604
You fail at the mechanics of sound. Do you even know the relationship of octaves and the audio spectrum? If you did, you wouldn't say stupid shit all the time. [PS, derailing? You attacked me, you should know better than that by now] |
Uh, yeah, I'm an engineer you moron, every octave represents a doubling of the frequency. Which means if you start at A220, which is about as low as you can go before going into sub-bass ranges, you'll have fundamentals all the way up to 112 kHz. That's several octaves above canine hearing range. If your synth even lets you do that, all you're doing is creating aliasing distortion.
Even if you meant, say, 7 octaves, which would actually be within the range of human hearing, it's still a ridiculously bad idea to have one sound (and a pad - a background element no less!) spanning the entire spectrum.
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