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| quote: | Originally posted by Domesticated
You guys are fags. I fucking hate commercial trance (dedicated psy-head) and I love some of Armin's stuff. He doesn't have any stupidly long breakdowns usually, which is the main issue for me with trance.
Shivers - awesome, awesome bassline. Mediocre vocals but there is a dub mix available which remedies this. Secretly though, I like to dress up in women's underwear and sing along to this one with a hairbrush in my hand. "SHIIIIIIIIIIIIIIIIIIVEEEERS, UP AND DOWN MY SPINE!"
Burned With Desire - again, shit vocal, but excellent bassline and the little arpy plucks early on are extremely hypnotic. I also like to sing to this while looking wistfully at pictures of all the girls who have rejected me over the years, and believe me, there are a LOT.
Communication Part III - Massive supersaw sound. Perhaps you hate that, but as far as supersaws go, this is an excellent melody, extremely uplifting and not so cheesy.
Control Freak - Everyone only knows the SvD Remix, but the original is great. Not a ridiculous breakdown in sight, the main melody is quite original and not stupidly epic or overly loaded with reverb.
Sail - Again, great bass line. The piano is a bit homo, but the other melodic part is hypnotic and cheese-free.
Serenity - Probably my favourite Armin track. It's like Traffic but about ten times better. Traffic just uses the same stupid loop over and over again, but this uses a similarly harsh synth but with a properly evolving melody and other interesting elements to back it up. The kick drum is also brilliant technically.
Of course, that's all his post 2000 stuff. The pre-2000 stuff is mostly good too.
Tiesto's tracks all sound like they were produced on a Casio too. |
wait, what?? I mean, I agree with you on many points here, but this is very unexpected
"birth of an angel" is a much better tune than "shivers", the vocals really do detract.
What did you think of "empty state", I think its one of his most underappreciated tunes.
+1 on serenity, but you have to credit Jan Wayne for the pad sequences.
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