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Tom_cowan
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Registered: Apr 2002
Location: York, UK

He already had the FM7 on.


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Old Post Oct-04-2002 10:34  United Kingdom
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dj dimwit
Supreme tranceaddict



Registered: Feb 2002
Location: Woerden, Netherlands

quote:
He already had the FM7 on.


Yeah I know. I didn't see it. Hope the other synths were of use, though!


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Old Post Oct-04-2002 11:11  Netherlands
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Tom_cowan
Supreme tranceaddict



Registered: Apr 2002
Location: York, UK

Yeah they are, cheers, is that an old version of junglist or something? I got the VST which is blue, is it just the orion version which is red?


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My Space

Electronic Technology!!!

"where east meets west meets moscow meets amsterdam meets dance meets trance meets porsche meets lada meets pravda meets prada meets boy meets girl meets love meets you meets me..."

Old Post Oct-04-2002 11:54  United Kingdom
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dj dimwit
Supreme tranceaddict



Registered: Feb 2002
Location: Woerden, Netherlands

I'm not sure! I myself have the Pentagon 1 synth, and that looks quite different from the one in this thread, but the functions are all the same... So maybe there are different 'skins' for the VST's...?


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Old Post Oct-07-2002 08:20  Netherlands
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midevlbstr
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Registered: Nov 2001
Location: san jose, usa

just trying to keep this thread alive.


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Old Post Nov-04-2002 08:19  United States
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dj dimwit
Supreme tranceaddict



Registered: Feb 2002
Location: Woerden, Netherlands

Yes keep this thread alive. In a few days I will try to post some more synths. But I don't promise anything


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Old Post Nov-04-2002 08:53  Netherlands
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Tom_cowan
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Registered: Apr 2002
Location: York, UK

Why doesnt somebody sticky it? Its really useful.


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My Space

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Old Post Nov-04-2002 10:42  United Kingdom
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Floorfiller
Girl + Sweater = Hotness



Registered: Apr 2002
Location: Illegal Pete's

how about some other types of software aka eq and compression etc. stuff to finish off a track

Old Post Nov-06-2002 04:43 
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Peter Campbell
Supreme tranceaddict



Registered: Mar 2001
Location: Cairns Highlands, Atherton Tablelands
Talking

quote:
Originally posted by Floorfiller
how about some other types of software aka eq and compression etc. stuff to finish off a track


sure thing, maybe I should rename the thread for plugins


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Old Post Nov-06-2002 07:01  Australia
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Peter Campbell
Supreme tranceaddict



Registered: Mar 2001
Location: Cairns Highlands, Atherton Tablelands

quote:
Originally posted by dj dimwit
I'm not sure! I myself have the Pentagon 1 synth, and that looks quite different from the one in this thread, but the functions are all the same... So maybe there are different 'skins' for the VST's...?


yea The pic I have is of 1.2, it sounds like you have 1.0


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Old Post Nov-06-2002 07:06  Australia
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Peter Campbell
Supreme tranceaddict



Registered: Mar 2001
Location: Cairns Highlands, Atherton Tablelands

Here are some new or comming soon VSTi's


Stylus

Type : sample based synth


Stylus is an innovative new type of software plug-in instrument that integrates a massive core library of thousands of cutting-edge groove elements, loops and samples, with a powerful user interface for creating your own grooves. Stylus can be used as a native plug-in instrument in hosts like Logic, Digital Performer, Cubase VST, Nuendo and Pro-Tools no sampler is necessary!

The huge 3 gigabyte core library of Stylus includes over 1000 brand-new loops, featuring insane new breakbeat remix loops with a cutting-edge vinyl attitude, from award-winning producer Eric Persing. The grooves are inspiration generators for application in a huge variety of remix genres including R&B, 2-step, Trip-Hop, Chemical, Epic House, Underground Hip-Hop, UK Garage, Downtempo Dub, Nu-skool, Acid Jazz, Trance, Funk, Alternative, Progressive, Rap, Abstract, Urban Neo-Soul, Big Beat, Slo-Jamz, Drum 'N Bass, and many others.

Each groove is presented in our widely-acclaimed Groove Control activated versions‹which allow you to change the pitch, tempo, feel and pattern independently ...without using any DSP! Since every groove can be mixed and matched at any tempo or feel, there are literally endless combination possibilities

Massive 3 gig core library
All NEW sounds
Insane new remix grooves and samples by Eric Persing
Over a thousand turntable tricks, skips, stops, beat-juggling and scratch FX
Killer live percussion loops can be added to any groove
Elastic Tempo, Pitch, Pattern and Feel with Groove Control™
Real-time groove jamming at any tempo with Groove Menus
Built-in Groove auditioning system... Lightning-fast load times
1000 Kicks, 1000 Snares, 500 Hi-hats for creating your own grooves
Easy to use... Built-in patch management system
Sample-accurate timing
Fully programmable
Total recall with your sequence
Multimode resonant Filters for each sample, plus Master Filters
Three envelopes for Pitch, Filter and Amplitude
Matrix-style Modulation routing, two LFOs
Unique interface allows independent parameter control of each sample, and Groove control automation.
Powered by Custom 32 bit UVI Engine
Cross platform, plug-in compatibility!



home page: http://www.spectrasonics.net/instruments/stylus.html


Atmosphere

Type : sample based synth

The Atmosphere Dream Synth Module™, is a new type of software plug-in instrument that integrates a massive, three gigabyte core library of more than one thousand unique sounds and layer elements, with a powerful and intuitive interface for shaping new textures. Atmosphere works as a native plug-in instrument in all major hosts like Logic, Digital Performer, Cubase, Nuendo and Pro-Tools.

Atmosphere was designed from the ground up by acclaimed synthesist Eric Persing, well known for his sound design of classic Roland synthesizers and award-winning sample libraries.

Persing and his International team of sound designers developed the Atmosphere core library using over a hundred sound design devices and nearly every conceivable synthesis method including Granular, Additive, Wavetable, Wavescanning, Graintable, Neural Processing, Vintage Analog, Vector, Virtual Analog, FM, Plug-In manipulations, and unusual Acoustic sources as well. This custom core library gives Atmosphere its unprecedented variety of tonal textures, especially when compared to standard soft-synths.

The range of sounds this instrument is capable of is astonishing, from lush ethereal pads, to powerful leads, crystalline glass swells to dark brooding atonal clouds, unusual synth basses, evocative ambiences, deep drones, complex textures, vintage analog sounds, disturbing noise FX, europhasers, gorgeous ambient string ensembles, thick trance/techno sounds, wavetable sweeps, vocoded choirs, dense vocal washes, transparent evolutions, and shimmering prisms of harmonic convergence. Sounds this rich put even the best hardware synths to shame!

Over 3 gig core library offers vast array of textures to explore
1,000 patches by award-winning sound designer Eric Persing
All NEW Sounds
Powerful interface and synthesis capabilities
Dynamic layering of sounds for over 1,000,000 mix combinations
Easy to use... Built-in patch management system
Fully programmable
Total recall with your sequence
Multimode resonant Filters for each layer, plus Master Filters
Three envelopes per layer for Pitch, Filter and Amplitude
Matrix-style modulation routing, four LFOs
Powered by custom 32 bit UVI engine
Cross platform plug-in compatibility



ATMOSPHERE EQUIPMENT LIST

Hardware Synths:
Yamaha CS-80
Access Virus Indigo
Access Virus A
Access Virus B
Access Virus C
Studio Electronics modified Minimoog
Waldorf Q
Korg Z1 EVL
Korg Prophecy
Kawai K-5000 additive synth
Oberheim 4-voice SEM style analog synth
Roland Jupiter 8
Roland MKS-80 Super Jupiter
Roland MKS-70 Super JX-10
Roland S-760 samplers
Roland S-770 sampler
Roland JD-800
Roland JD-990
Roland D-550
Roland JP-8000
Roland JV-90
Roland JV-1080
Roland JV-2080
Roland XV-5080
Sequential Circuits Prophet 5
Sequential Circuits Prophet VS
Waldorf Wave
Waldorf Microwave
Waldorf Microwave XT
PPG Wave 2.2
ARP String Ensemble
Mellotron

Soft Synths:
Propellerheads Maelstrom
U&I Metasynth
Emagic EXS24
Emagic ES-2
Audioease thOnk
Cycling '74 PGS-1
Cycling '74 Shape Synth
Rhizomatic ABsynth
Native Instruments ABsynth
Native Instruments B-4
Native Instruments Pro-52
Native Instruments Reaktor
Waldorf Attack
Waldorf PPG 2.V
reFX JunoX2
Rumpelrausch Taips ZR1
Steinberg Model E
Antares Kantos


Hardware FX:
AMS RMX reverb
API 5502 equaliser
TC Electronics Fireworx multi-effects
Eventide DSP-4000
Lexicon PCM70/80/480 reverbs
Modified Boss Dimension C Chorus
Boss SE-70 multi-effects
Roland Dimension D
Roland RSP550 multi-effets
Roland SDE330 delay
Roland SDX330 chorus
Roland SRV330 reverbs
Roland SVC330 vocoder
Boss GL100 guitar driver
Innovonics compressors
Langevin passive equalizers
Quest custom analog mixers
Summit tube mic preamps

Plugins:
Audioease Altiverb
Audioease River Run
Arboretum Ionizer
Arboretum Hyperprism
Arboretum Hyperverb
Arboretum Vocoder
Arboretum Granulator
Emagic Phaser
Emagic Ensemble
Emagic Tape Delay
Smart Electronix Supaphaser
Smart Electronix Cyanide
Bias SFX Machine
Big Tick Hexaline
Big Tick Mabento
Big Tick Nasty Shaper
Bomb Factory Moogerfooger Lowpass Filter
Bomb Factory Moogerfooger Ring Modulator
Bomb Factory Voce™ Spin
Bubu Ztyle
Bubu Warper
Cycling '74 Average Injector
Cycling '74 Degrader
Cycling '74 Feedback Network
Cycling '74 Filter Taps
Cycling '74 Fragulator
Cycling '74 Frequency Shift
Cycling '74 Granular-to-Go
Cycling '74 Mangle Filter
Cycling '74 Monstercrunch
Cycling '74 Moving Filters
Cycling '74 Nebula
Cycling '74 Noizckippr
Cycling '74 Pendulum
Cycling '74 Ring Modulator
Cycling '74 Space Echo
Cycling '74 Spectral Filter
Cycling '74 Swirl
Cycling '74 Swish
Cycling '74 TapNet
Cycling '74 Warble
Cycling '74 Waveshaper
Digidesign Lo-Fi
Digidesign Recti-fi
Digidesign Sci-fi
Digidesign Vari-fi
GRM BandPass
GRM Comb
GRM Comb 5
GRM Delay
GRM Delay 24
GRM Doppler
GRM Freeze
GRM Pitch Accum
GRM Reson
GRM Shuffling
GRM ST Contrast
GRM ST Freq Warp
GRM ST Shift
IK Multimedia Amplitube
IK Multimedia T-RackS 24
Intelligent Devices FireoBall
Line 6 AmpFarm
Line 6 Echo Farm
MDA Combo
MDA Degrade
MDA Overdrive
MDA SubSynth
MDA Tracker
Motu PureDSP Spectral Effects
Ohm Force Ohmboys delay
Ohm Force Frohmage
Ohm Force Mobilohm
Ohmforce Hematohm
Opcode Vinyl
Opcode Vocode
Opcode Filter
Prosoniq North Pole
Prosoniq Orange Vocoder
Prosoniq Pi Warp
Serato Pitch 'N Time 2
Shiny-FX Spectral Monkeyage
Steinberg Grungelizer
Steinberg Metalizer
Waldorf D-Pole
Wave Mechanics SoundBlender
Waves +L1 Ultra Maximizer
Waves C1 Compressor
Waves C4 Multiband Compressor
Waves Doppler
Waves Enigma
Waves MaxxBass
Waves MetaFlanger
Waves MondoMod
Waves Paz
Waves Q10
Waves Renaissance EQ
Waves Renaissance Reverb
Waves Super Tap
Waves TrueVerb

Software:
Blank Software Alchemy
Arboretum HyperEngine
Antares Infinity
BIAS Peak audio editor
Digidesign Pro Tools 5.1 Free and TDM
Emagic Logic Audio Platinum 5
Metasynth
Emagic Sound Diver synth editor/librarian
Interval Music Transfer Station
MOTU Unisyn synth editor
Samplifier sample transfer software


Acoustic sources:
Glass Harmonica
Prepared Piano
Tibetan Bowls
Fender Rhodes
Electric Guitar
South American flutes
Orchestral String Section
Numerous Vocalists and Choral Groups
The sea and the waves
Some rays of sun and shadows of the moon

home page: http://www.spectrasonics.net/instru...atmosphere.html


TRILOGY

Type : sample based synth

Trilogy is a brand new type of software plug-in instrument that integrates a custom three gigabyte core library of more than one thousand brand new Bass sounds, with a powerful user interface for creating your own unique patches. Trilogy can be used as a native plug-in instrument in hosts like Logic, Digital Performer, Cubase VST, Nuendo and Pro-Tools no sampler is necessary!

The real power of Trilogy lies within its layering concept. Beyond the core library of a thousand Basses, every patch in Trilogy has two layers that you can tweak individually. You can also immediately mix and match any of the layers in the core library together, and edit each one independently. Imagine the power of combining the sound of a real Minimoog™ with a Fretless bass, or a Virus™ with a TB-303™, or mixing the Microphone and Pickup channels of the Acoustic Bass right on the interface, or even combine the Upright with a sub-oscillator! There are over a million earthshaking combinations, and you'll never run out of options.

Trilogy is also one of the most powerful Bass Synthesizers ever made. In addition to gigabytes of high-resolution sampled vintage synth waveforms, and thick multimode resonant filters for each layer, Trilogy has the rare feature of analog synth-style Legato triggering and Glide that no other software samplers have. This capability allows for Synth Bass sounds that actually play like a vintage analog synth. This feature can also be used with any of the Electric or Acoustic Basses, for unique hybrid sounds. The enormous creative power of the Zone editing feature allows entirely different synth parameters for each key - all by simply touching the key and moving the faders!

Massive 3 gig core library
1,000 brand new Electric, Acoustic and Synth Basses, each with dual layers.
Mix and Match layers for over a million dynamic combinations
Earthshaking, Cone-blowing, Subsonic sound
Multi-dynamic (up to 8 way) velocity switching multisample articulations
Innovative 'True Staccato' sample-mapping, for realistic repeated notes.
Minimoog-style Legato triggering
Built-in auditioning system rapid load times
Easy to use built-in patch management system
Fully programmable
Total recall with your sequence
Multimode resonant filters for each layer, plus master filters
Three envelopes per layer for Pitch, Filter and Amplitude
Matrix-style modulation routing, four LFOs
Powered by custom 32 bit UVI engine
Cross platform plug-in compatibility!



home page: http://www.spectrasonics.net/instruments/trilogy.html


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Old Post Nov-06-2002 07:38  Australia
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Floorfiller
Girl + Sweater = Hotness



Registered: Apr 2002
Location: Illegal Pete's

hey peter good update... oh and as you can see, i found the thread hehehe. thanks for all of the info.

Old Post Nov-06-2002 23:25 
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TranceAddict Forums > DJing / Production / Promotion > Production Studio > The Best VSTi Softsynths
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