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Stu Cox
Supreme smackaddict

Registered: Mar 2003
Location: Southampton, UK
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The Xone filters have actually got 7 modes, not just the 3 obvious ones...
As well as LP, BP and HP, there's LBP (low + band pass - basically low pass but with more resonance and sounds smoother than just cranking up the resonance), HBP (high + band pass - same sort of idea but high pass), Notch (band reject - "opposite" of band pass, i.e. it gets rid of the frequency you set it to and leaves everything else) and Sweep (basically just boosts the frequency you set it to by the amount the resonance knob is set to.
You get LBP by pressing the LPF + BPF buttons and the same time, HBP by pressing HPF + BPF together, Notch by pressing HPF + LPF together and Sweep by pressing them all at once.
As a little extra note, if you keep the frequency knob moving up and down with a notch filter, it can sound a bit like a phaser, or do the same with the Sweep and it can sound a bit like a flanger. Play around with the resonance though to get it right - particularly for the best "phaser" effect you probably only want the resonance knob at about 70%.
On the wet/dry situation, Xone don't implement their filters like "effects" in that way, but you can make the sound completely dry in LP and LBP modes by setting the frequency to 20kHz and in HP and HBP modes by setting the frequency to 20Hz, setting the resonance to minimum in both cases.
Because of this, smoothly going from a low pass to a high pass is a pain, but is possible (and after a while it becomes automatic):
1. Fade the frequency up to 20kHz
2. Fade the resonance down to minimum
3. Turn off the filter
4. Set the frequency to 20Hz
5. Set the filter to HP or HBP
6. Turn the filter back on again
7. Turn the resonance up again
8. Crank the frequency and hear it scream
Do that in reverse to go from a high pass to a low pass.
You can't make the BP or Notch filters completely dry but you can make Sweep completely dry by just setting the resonance to minimum.
For the smoothest effect, try and adjust the resonance and frequency knobs at the same time. For example in high pass mode, you don't normally want the resonance up too high when the frequency's low as it boosts the bass too much, but you might want more resonance as you filter up so you get a bit of a whistle, so turn it up as you turn up the frequency.
Hope this helps. 
___________________
Stu Cox | 

Last edited by Stu Cox on Sep-23-2009 at 23:52
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Sep-23-2009 23:28
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Jarvmeister
Building a fire......

Registered: May 2001
Location: Trancentral
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Cheers for the replies chaps - really helping lots.
The other gripe I have about the filters is that they're post cue not pre cue, meaning you have no way of knowing how much filter effect you're using on your incoming track.
I emailed A&H to see if there was a jumper setting that could be set - sadly no. Their reply:
| quote: | Hi Ross,
As the filters are present only on on the outputs (they feed the L-R MIX buses), it wouldn't be possible to hear them on channel cues, which are essentially input monitoring signals, I'm afraid. The filters would only be audible when using the Add Mix function to the Cue signals.
Best regards,
Allen & Heath Technical Support Team |
Another observation about this mixer is, and maybe this is the analogue vs digital thing, it seems as though a track is one complete sound on the Xone, on the 800 it seemed like all the elements of the track were seperate.
It's taking some getting used to! It doesn't really help that I'm having to use a pair of Panasonic personal stereo headphones! I left my 7506's up in York and I'm praying they arrive today, my mate has posted them down.
I also decided to order a decent set of phono leads, rather than the flimsy ones I had kicking around.
A replacement faceplate for my Xone's going to cost £67 which I think is reasonable - it'll give it a new look.
Happy days. Love the mixer - and really am looking forward to that first moment I 'click' with it. For now it's like learning to mix all over again!
Jarv
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Sep-24-2009 09:11
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