quote:

Originally posted by Seppuku 09? Definitely belongs to Rebirth over Ostgut Ton.

___________________
_____________________________________
commercial and underground electronic music (house/techno/trance/other) will surpass today's hip hop/pop/rock/country in worldwide interest...if it has'nt already.

Stop trying to make every thread about you Kismet.

___________________

OMG OMG A NEW MIX

quote:

Originally posted by Seppuku Stop trying to make every thread about you Kismet.

i did'nt mention myself? Besides you got cheeky with saying Ostgut Ton is better than Rebirth out of nowhere, which obviously is directed towards me in some way

___________________
_____________________________________
commercial and underground electronic music (house/techno/trance/other) will surpass today's hip hop/pop/rock/country in worldwide interest...if it has'nt already.

The fuck is "fochocho"?

its 'fer sure dude'

but like Sinatra...i'll do it my wayyy

___________________
_____________________________________
commercial and underground electronic music (house/techno/trance/other) will surpass today's hip hop/pop/rock/country in worldwide interest...if it has'nt already.

Ostgut for the most part makes really dirty techno. To be honest I dont play their records much when I'm at home unless I'm drinking and I want to piss off the neighbors. Its very aggressive and loopy and I can see why a lot of people dont go for it. But I'm sure in the right club those tracks would crush you

I'm more into Detroit and Chicago dirty, its a warm and aesthetically pleasing. Something about Ostgut's sound is cold, maybe its today's equipment they are employing. As with Detroit and Chicago records, Delsin's dirty records manage to be a warm and soulful.

___________________
_____________________________________
commercial and underground electronic music (house/techno/trance/other) will surpass today's hip hop/pop/rock/country in worldwide interest...if it has'nt already.

feeling a bit of them. dark & sticky, garage gt are ZzZzZzzz... for me though

bound is great though

Just through samples, Bound is the one that stood out for me as well.

___________________
_____________________________________
commercial and underground electronic music (house/techno/trance/other) will surpass today's hip hop/pop/rock/country in worldwide interest...if it has'nt already.

quote:

Originally posted by Kismet7 I'm more into Detroit and Chicago dirty, its a warm and aesthetically pleasing. Something about Ostgut's sound is cold, maybe its today's equipment they are employing. As with Detroit and Chicago records, Delsin's dirty records manage to be a warm and soulful.

I agree. Delsin is for the most part very warm.

Ostgut is cold. Recent exception being Tony Lionni's release on Berghain 03. Marcel Dettmann is probably the biggest reason the releases sound so cold and mechanical. Listen to his track called Guttering on the Deuce release http://mp3.juno.co.uk/MP3/SF353538-01-02-01.mp3 ...there's nothing nice about it. I even have a hard time mixing this type of techno. Maybe I'm just not used to it. But it seems there's not much room for subtlety or gradual fades. It really begs for fader slams and that's about it.

The new Ostgut takes a big shit all over anything on Rebirth this year.