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| quote: | Originally posted by DigiNut
No, no, no, NO. Jesus, compressing a vocal with a 10:1 ratio? This is exactly why I said that throwing around some trivial math isn't going to help you apply it.
You shouldn't even be considering trying to squash a dynamic range of 20 dB down to 2 dB. You might use a ratio that high with a very low threshold as a kind of leveler, to eliminate sudden and unintended peaks in the source. If it's really truly necessary to increase the gain by 18 dB then you might use multiple stages of compression. But much more likely you should be adjusting your actual levels, EQ, and other parts of the mix if it has those kinds of problems.
My advice is to stop worrying about the nitty gritty of how compression works and start learning about how it's actually used, in practice, otherwise you're going to end up with some awful mixes. |
Well it was just an example, an extreme and maybe not well chosen one I grant you. haha
Maybe a more realistic case would be -3db to -6db threshold with a 1.5:1 - 2:1 ratio (depending on the source material of course)
Of course it's best to try it in practice in real world scenario's, but dont shoot me down for just trying to get a better understanding of how a compressor works.
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