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RichieV
Supreme tranceaddict



Registered: Aug 2003
Location:

yes

headphones will be limited in that the listening character ,no matter how expensive they are, will differ from speakers. This means that your mix might sound great to anyone with headphones but it also might have some serious stereo imaging issues which will only reveal themselves on speakers. You could have some nasty phase distortion present and not realize it. I suppose you could sum to mono and listen but it is always a good idea to reference your tracks on the medium people might be listening with.

Old Post Oct-20-2009 02:45  United States
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DigiNut
You kids get off my lawn!



Registered: Dec 2002
Location: Toronto, Self-proclaimed Centre of the Universe

quote:
Originally posted by Kysora
Sorry, I probably should have clarified more, I know the benefits to producing with monitors, I'm just wondering if those benefits are worth spending several hundred dollars on when I'm already producing with $300 headphones. If it's not I'd rather get a hardware synth.

Just my take on it, but the way I see it, a hardware synth doesn't really give you any abilities you don't already have (at least not when you're in the range of a few hundred bones), whereas good monitors will definitely enable you to hear things that you cannot hear on your cans. So from the perspective of the quality of your work output, monitors are definitely a better investment.

Of course if you're one of those people who does everything by trial and error and some small piece of hardware is going to improve the creative process by allowing you to fiddle at a faster rate than ever before, then I suppose that's the way to go. It all depends on you, really.


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Old Post Oct-20-2009 02:49  Canada
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Kysora
Supreme tranceaddict



Registered: Aug 2009
Location: Hampshire, IL

quote:
Originally posted by DigiNut
Just my take on it, but the way I see it, a hardware synth doesn't really give you any abilities you don't already have (at least not when you're in the range of a few hundred bones)


Mm, well I can play piano and currently don't have a MIDI keyboard, having a synth with a keyboard will help a lot in that regard. I'm also a very hands-on learner and want to learn how to make my own sounds instead of relying heavily on presets, and I feel I could more readily learn on hardware, as you suggested.

I think I got all the information I was looking for, though, thanks for the input.

Old Post Oct-20-2009 02:58  United States
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wrzonance
Moon



Registered: Aug 2003
Location: Seattle, WA

quote:
Originally posted by Kysora
Sorry, I probably should have clarified more, I know the benefits to producing with monitors, I'm just wondering if those benefits are worth spending several hundred dollars on when I'm already producing with $300 headphones. If it's not I'd rather get a hardware synth.


You really, don't, have to. It's a luxury (and arguably a necessity if you're a professional) but not entirely necessary.

Do you have a car? Do you have a home stereo? Do you have an ipod dock stereo thing?

Using those things you can really create good mixes with just headphones. Most people forget that... just because you only have headphones DOESN'T MEAN you don't have alternate reference speakers.

There is the catch, that, car stereo speakers won't exactly illuminate what's "wrong" in your mix... however some speaker systems accentuate something "wrong" in your mix.

I've found the best kind of studio reference monitors are the ones that sound "boring." The flatter, the truer, the better... which is why I'd stay away from the Alesis studio monitors (no matter how affordable) and go for some Adam speakers or Genelecs (no Mackies please).

That's my two cents,

Adam


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Old Post Oct-20-2009 03:16  United States
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kevin shawn
Like a six ton megabomb



Registered: Jun 2005
Location: Vegas

quote:
Originally posted by Ry Thomas
Akg 701 and SPL 2control


That SPL 2control is fucking slick and expensive


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Old Post Oct-20-2009 04:21  United States
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kitphillips
is actually a guy.



Registered: May 2006
Location: Sydney, Australia

If you have an acoustically decent room, and space for monitors, then they should come first. Otherwise, there's no point getting them anyway...


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Old Post Oct-20-2009 06:16  Australia
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Fledz
Banned



Registered: Sep 2006
Location: London UK

quote:
Originally posted by wrzonance
I've found the best kind of studio reference monitors are the ones that sound "boring." The flatter, the truer, the better... which is why I'd stay away from the Alesis studio monitors (no matter how affordable) and go for some Adam speakers or Genelecs (no Mackies please).
Does not apply to Dynaudios.


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Old Post Oct-20-2009 07:29  Croatia
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mysticalninja
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Registered: May 2005
Location: Los Angeles

buy a synth, just use computer speakers for monitors.


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Old Post Oct-21-2009 01:08  United States
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EgosXII
Aphorism



Registered: Apr 2007
Location:

quote:
Originally posted by DigiNut
Just my take on it, but the way I see it, a hardware synth doesn't really give you any abilities you don't already have (at least not when you're in the range of a few hundred bones), whereas good monitors will definitely enable you to hear things that you cannot hear on your cans. So from the perspective of the quality of your work output, monitors are definitely a better investment.

Of course if you're one of those people who does everything by trial and error and some small piece of hardware is going to improve the creative process by allowing you to fiddle at a faster rate than ever before, then I suppose that's the way to go. It all depends on you, really.


this is so true (as usual from digi)...

i was actually in the same position as you Kysora, deciding on synth or speakers, and i chose synth and a few months later (thanks tax money) was able to buy speakers as well...

from personal experience i would say that speakers are far more important...
buy a cheap midi keyboard if you need one and some decent, or even cheap monitors before you get a hardware synth.

my production went up so much from having some monitors, and i could actually HEAR what i was doing clearly. As digi said, what i had was a synth that could make nice sounds, but essentially no way to hear if the sounds were actually good or not.

you will find that having monitors means you can get better sounds out of anything (softsynths etc) than you could get out a mad hardware synth if you didn't have the right tools to hear it...

if i had a do-over for my production experience i would go sound-card, speakers, midi keyboard, and then whatever else...

edit: of course, as has been said a few times, it is upto personal preference, but i definitely think that monitors are crucial now, after experiencing life without them for ages, using hi-fi speakers and headphones...


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Old Post Oct-21-2009 01:30  Netherlands
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mysticalninja
Supreme tranceaddict



Registered: May 2005
Location: Los Angeles

I had the opposite experience with monitors. I bought a pair of Hr824's, and some of my favorite tracks just sound like total shit, not pleasant to listen to at all. And I think to myself: 'gee, if that produce was using this monitors, some of my favorite tracks would of never been made..'

It's possibly because I didn't get the HRS-120 sub that goes with them for another grand. I NEED a sub for this type of music. I'm not even sure that's it.. There's just so much low-mids on the 824's i don't think i can ever enjoy a techno bass drum on them. too much 150-400hz around there it seems. but i guess ill never know unless i drop another grand on the sub that's meant to go with them.

I generally just stick to altec lansing PC speakers and AKG-701 headphones.. I rarely reference on my mackies, although it can be nice for the fresh perspective at times to get the levels balanced.


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Last edited by mysticalninja on Oct-21-2009 at 01:40

Old Post Oct-21-2009 01:34  United States
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