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Yeah, the Neil Young thing was a personal choice. Not really a part of the set itself. Think of it as a bonus track. Or maybe a secret song that didn't want to wait for 3 minutes of silence to play out. 
Let me guess: the 'middle-messy' transition is the Moby one? Lord knows that one irks me some, but I couldn't find a way to ease that one in no matter where I put it, and it serves as a lead-in to the Feller/Benisch segment, so I just ham-fisted it ...er, as 'gently' as I could.
All in all though, thanks for the kudos!
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Everyone has an opinion. Mine just happens to be a little more informed than most.
Electronic Music Critic: Near-Daily Ruminations Of Music I Own, In Alphabetical Order!
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