quote:

Originally posted by trancension I was thinking Atlanta when I said local...sorry!

funny story.... there was a time when being a trance dj in North Carolina was a bad thing. My first big demo was entitled "the music charlotte hates, trance"

It looks like Atlanta is currently lacking on it right now. One of the big problems with being a trance dj nowadays is that all of the headliners have it in their contract to close so you have to be extremely versatile and willing to play a warmup house and progressive set at slower BPM or dont get booked.

Its not that promoters dont want to book local trance talent, its that there is no market for it unless its something multi room multi genre like MJ's party last year.

quote:

Originally posted by Dream Beamz funny story.... there was a time when being a trance dj in North Carolina was a bad thing. My first big demo was entitled "the music charlotte hates, trance"

My first demo in Atlanta was called "This is Not Hip-Hop." As an aside (and to feel good about myself), I made that demo for an SERAVES party where everyone sent in anonymous tapes and judges picked who played. I ended up getting the 1am - 3am headlining slot in the main room for my very first booking. It was hard trance in Jan '99 I believe.

quote:

It looks like Atlanta is currently lacking on it right now. One of the big problems with being a trance dj nowadays is that all of the headliners have it in their contract to close so you have to be extremely versatile and willing to play a warmup house and progressive set at slower BPM or dont get booked.

I agree 95%. Its not a 100% because I remember in maybe '02 Oakenfold played at 1150 and I closed for him. That was also back when the clubs could stay open later so I played from 2 - 4. Oakenfold played from 12 - 2 and you know he isn't going to play for more than 2 hrs. I wasn't on the flyer so the people in the crowd didn't even know that I was playing. Its kinda odd, because he clearly finished his set and I let him do his posing and everything before I proceeded to beat the crowd the fvck down with some real banging hard trance. I kept the dance floor packed until the lights came on and even played an encore - none of which would have happenned if the people knew they were listening to a local.

A similar situation happenned again at 1150 with Christopher Lawrence - except that time I didn't know I was playing until I was asked to go home and get my records because he was only contracted to play 2 hrs. This was also back around that same time period when clubs would stay open till 4 or so.

I think it has more to do with Atlanta closing times then the headliners having to close. They want to play the prime slot and now there is no room for another slot after prime time.

Either way, your point is still valid.

quote:

Its not that promoters dont want to book local trance talent, its that there is no market for it unless its something multi room multi genre like MJ's party last year.

+1

___________________
- Christian Michael

quote:

Originally posted by Seppuku Haha, so fidget is the farty hipster electro stuff? Never knew that either.

Yes. Just found out like 2 months ago. lol

quote:

Originally posted by enydo I guess that's the only real way you could dance to it. Maybe the fidgeting is trying to dance while still remaining stationary enough so the amount of pictures you show up in is slightly higher.

Ahhh yea...I forgot...trance isn't really a good warm-up set.

quote:

Originally posted by trancension Ahhh yea...I forgot...trance isn't really a good warm-up set.

Well, it depends on the setting. Trance would work as a decent opening set for the rapture.

loooooool

There's actually a lot of trance that would work well in an opening set. Most of it would probably be from the 90's though.

Thanks for the kind words George! Yeah I'm not exactly Atlanta but not really too far away (Greenville, SC). Trance(hard trance) is really my first love but in the past few years I've started playing a lot of epic/trance-esque dubstep and dnb out with my 4x4 stuff. And of course I have love for progressive and techy stuff. Kind of a bi-polar sound I have going on now....
I'll be playing Horrible Children's 2 year anniversary down there on March 13. I will definitely be dropping a lot of tough trance. Would be awesome to meet some of the ATL ta crowd!

___________________
UPCOMING EVENTS

04.18 - Karma & Infectious present HIGH.LIGHTS w/ Dustin Hulton @ Escape - Greenville, SC
04.24 - Karma presents Reach For The Stars w/ Joseph Rheuma & JennyGo @ Escape - Greenville, SC
05.21 - Sugar Society presents Cosmic Gate @ The Forum - Charlotte, NC

FREE DOWNLOADS, UPCOMING EVENTS, BOOKING INFORMATION AND MORE:

http://www.myspace.com/djhenrywilson
http://www.facebook.com/djhenrywilson
http://www.twitter.com/djhenrywilson

Trancey Dubstep? Oh, I need to hear some of this ish.

quote:

Originally posted by enydo Trancey Dubstep? Oh, I need to hear some of this ish.

Would that be like this song that my boyfriend won't stop playing?

http://www.youtube.com/watch?v=CFW4LqsTPO0

Otherwise, not sure I've heard trancey dubstep. I have a John B CD somewhere with trance and drum and bass mixed that is aight. Now I'm curious.

I'm certainly not as trance-tastic as I used to be when I lived in the midwest, but I'm still into and was playing strictly trance for at least the final hour or so of my solo nights at Venus De Milo here in Savannah. I'm pretty sure I'm the only one DJ'ing trance here these days.

Recently I've gotten pretty bored with house and prog after digging up all my old DJ mixes from an old desktop that I hadn't used in years. At one point in time when I was in Madison, WI, I was a pretty prolific "mixtape" recorder, since we had a Saturday night dance mix show on a major FM radio station up there. I totalled it all up, and I've produced SIXTY-FIVE hours worth of mixes in my career, and a bulk of that was done pre-2004, when I moved to Savannah. If you're at all curious about these mixes (2001-2008), here's the link to everything I put on Rapidshare: [[ LINK REMOVED ]]


As far as openers go, yeah. You do kind of have to program your set to warm up for a headline DJ, and that limits you a great deal as far as what you play. I opened for Marco V in Minneapolis, and played mostly prog house and some lower tempo (130ish) trancey stuff, but did play Capetown's Pitstop as my last track (pitched down to 132...). There was another DJ between me and Marco though, so it worked out ok.

At least from what I observed in the midwest, I was one of only a handful that played both prog house and trance. There was a VERY deep divide between DJ's that played one genre or the other. I'm not at all familiar with what's up in the ATL, so I don't know if that's the case up there or not.

___________________
DJMaytag @ Facebook
Tracks on Soundcloud
Paul Van Dyk - Today [DJMaytag's Dreamy Dub Mix]