quote:

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quote:

Originally posted by Beatflux The steepness of the filter can vary so you still get some warmth coming through on the low to mid-end. Or you could use a low shelf filter and just take off some of the lows.

i rather boost the lows. i like my bass

I have a question.

In reason I put an EQ on a synth to cut lows. I dont know how its with other DAWs but in reason you can cut -18 db.
Then i think it sounds OK but if I put another EQ and do the same cut, i can hear that the EQ before didn't cut all lows.
So if I want to get rid of all lowend I have to use 2 or sometimes even 3 equalizers. Is this necessary or is it better if a synth has some small amount of low frequencies?

Try puttong the eq between your mixer and the hardware output thingy at the top of reason and applying a low cut to your master as well.

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Processing a highly structured and complex pattern of sensory input as a unified percept of "music" is probably one of the most elaborate features of the human brain.....understanding how music is perceived and how it may elicit intense sensations is far from being understood.

and how would this help?
hope you're not trying to be funny

Last edited by chick on Jan-21-2010 at 23:08

quote:

Originally posted by chick and how would this help?

Erm i did just help? did you not get it ?

As in low cut on your synth eq and also low cut on master eq too?

Lol stfu as if i wont bother next time

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Processing a highly structured and complex pattern of sensory input as a unified percept of "music" is probably one of the most elaborate features of the human brain.....understanding how music is perceived and how it may elicit intense sensations is far from being understood.

quote:

Originally posted by chick stfu if you cant help

Dont think i didnt see you before you edited your post!

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Processing a highly structured and complex pattern of sensory input as a unified percept of "music" is probably one of the most elaborate features of the human brain.....understanding how music is perceived and how it may elicit intense sensations is far from being understood.

sorry i was too rough, but it really sounded to me like you're making a joke..because i dont get it. if you cut lows on master EQ you also cut it on bass and kick, what's the point?

Ok i get it now. I always cut <30hz on my master. Seems like you didn't get my question. I was asking if it's better to use 2 EQs to really cut all lows or just 1 and leave small amount of low.

you cant hear much below 50hz anyway so if you cut below 50hz on your kick and bass it will help you!

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Processing a highly structured and complex pattern of sensory input as a unified percept of "music" is probably one of the most elaborate features of the human brain.....understanding how music is perceived and how it may elicit intense sensations is far from being understood.

quote:

Originally posted by chick Ok i get it now. I always cut <30hz on my master. Seems like you didn't get my question. I was asking if it's better to use 2 EQs to really cut all lows or just 1 and leave small amount of low.

You shouldnt really have to use 2 eqs to do that one should be enough if its set correctly. Have you actually got a specrum analyser on the sound and looked at it as it plays with one eq or two eqs I bet just one eq is fine.

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Processing a highly structured and complex pattern of sensory input as a unified percept of "music" is probably one of the most elaborate features of the human brain.....understanding how music is perceived and how it may elicit intense sensations is far from being understood.