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| quote: | Originally posted by Zombie0729
There’s no question the card sets are a bit of gimmick with today’s processing power. They’ve stayed true to the “pro-tools hardware” model but I can’t agree with your statement that there are software equivalents to a lot of the plugs. I’ve tried nearly all the pultec emulations (waves & IKm) neither of them sound like the real deal except the UAD one. The LA2A & 1176LN compressors also don’t have any reasonable competition either (especially compared to the real deal). I agree there are some good EQ’s similar to the Cambridge (which I use for almost all my mixing cuts) and the delay’s aren’t really that great for most dance music. The mastering plugs ie maximizer, limiter, multiband etc are similar in transparency to Ozone (I’ve tested these against each other well over 25 times, the end results are very very close). IMO I think where the UAD still stands taller than the rest is with plugs like the Fairchild (which the CLOSEST I’ve seen anything come is the Sonnox plug but it’s still not as good) which is a wonderful warming compressor, the LA2A which has to be the best vocal friendly compressor ever, the Plate 140 reverb (which maybe with the right convolutions you could match this but the Plate 140 is instantly usable with like 2 knob tweaks) and the fact that UAD has teamed up with like every sought after company in the world to make new plugins (distressor emulation just came out, Lexicon coming soon & others). I’ve had 2xUAD-1’s in the studio for nearly 3yrs and the only reason I want to sell them is to get the UAD2. |
Native plugins can easily replace an UAD system nowdays. And the UAD plugins don't sound like the hardware units, it's just an emulation. Especially since harmonic distortion is ignored on alot of their emulation to conserve CPU power which native plugins actually do model.
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