quote:

Originally posted by Kysora Would that be a bad thing?

Depends on who you ask, in this case he is whoring himself out to a label by making a style of music that "sells" and yeah thats definitely a bad thing.. artistic freedom anyone ?

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quote:

Originally posted by Subtle he is whoring himself out to a label

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Processing a highly structured and complex pattern of sensory input as a unified percept of "music" is probably one of the most elaborate features of the human brain.....understanding how music is perceived and how it may elicit intense sensations is far from being understood.

And is that wrong maybe he wants to get his foot in the door with the record company...Then do original material

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quote:

Originally posted by Waza And is that wrong maybe he wants to get his foot in the door with the record company...Then do original material

Well I just want to make tracks that are good enough to get out there. I mean they done some great things for me and I havent released for a while and since my last one they have signed some good talent. They are the type that make big huge trance monster records that sell so I just kinda want to prove I can too.

Oh and they signed my most original track first, and that was nothing like commercial trance. Admittedly they had it remixed into trance monster land but still.

Thanks for stickin up for me

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Processing a highly structured and complex pattern of sensory input as a unified percept of "music" is probably one of the most elaborate features of the human brain.....understanding how music is perceived and how it may elicit intense sensations is far from being understood.

I could think of far worse people to model than Tyas to be honest with you.. It's always easy to bag out the big guns, isn't it?

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Originally posted by Aesthetic I could think of far worse people to model than Tyas to be honest with you.. It's always easy to bag out the big guns, isn't it?

Scott Hardkiss!

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my old stuff, not quite up to snuff - but I still dig it - UPDATED 9/23/2012

anyone who has something against sean tyas should tell us who we should be listening to intead! maybe we do aswell

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quote:

Originally posted by Subtle Do we really need more tracks that sound like that ?

If it will help you make better tracks in the future, why not?
practice is practice! The idea is to make lots of tracks to practice on so that in time you will not only make quality tracks but also develop your own style.

IMO , having a great mid bass isn't very important. What is more important , is that you have a great sub bass that rolls along with the kick. I mean , look at Aly & Fila. Many of his tracks is dominated by that Sub Bass that they use frequently.

And I find that , what makes a song more interesting in terms of basslines , is the presence of moving acid lines or screaming FM basslines , instead of those mid basses.

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Some tips I have picked up:

- Don't go over-board with EQ or filtering off frequencies, cause you'll make all your sounds weak.

- Sometimes get a good patch you use for leads or acid or whatever, throw a load of delay on it, and use the same or similar notation to your basslines, then drop it down like 2 octaves, leads pitched low with a good bass already sounds niceeeeee.

- Experiment with square and saw combinations, be careful of sine cause it takes up a tonne of headroom up easily.

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quote:

Originally posted by Lunar Phase 7 Some tips I have picked up: - Don't go over-board with EQ or filtering off frequencies, cause you'll make all your sounds weak. - Sometimes get a good patch you use for leads or acid or whatever, throw a load of delay on it, and use the same or similar notation to your basslines, then drop it down like 2 octaves, leads pitched low with a good bass already sounds niceeeeee. - Experiment with square and saw combinations, be careful of sine cause it takes up a tonne of headroom up easily.

thanks for the advice, my basslines have been lacking major. You just sped up the process a wee bit :P