|
| quote: | Originally posted by EddieZilker
I actually disagree with you and mfitterer on this, only to say that I've gotten some insights into my producing by receiving feedback from people. I'm not saying your advice is wrong. If you guys have found a way that works for you - and it would seem you have - I certainly am the last person to fault you on it.
Personally, I just like getting feedback from people and giving it to others and have found my own way doing that.
|
Was going to basically say this. Also, It seems like your brain seems to get involved/attached with a track to the point where you may not hear what needs to be done. This is basic psychology 101 in fact, as your aural senses have this nasty habit of adapting. So if your ears are adapted to a "bad" sound, you may not be able to hear it, where someone else could.
I have to admit that I've added some great additions to a track based on the suggestions of others, that I wouldn't have thought of myself. Certain feedback is just too valuable to not pursue.
So sure, it may be person dependant, but if you look at the really famous trance icons, (Above and Beyond, Kaskade, Alice Deejay, I could go on and on...) you'll find that they're comprised of more than just 1 person. Thinking about that one for a second, I would make the bold conclusion that 1 person's great ideas are indeed great, but a group of people's great ideas may be incredible, so long as the groups strengths/weakness/inputs are balanced.
I can't help but analyze everything, including feedback. So if someone makes a suggestion to me I try to pretend it was my own idea.(I always try to give thanks for feedback, or return the favor and listen/critique what they're working on)
I'm an incredibly large supporter of the idea, that you have to approach everything with moderation. Just because someone comes acrossed in a manner such like "You need to make this such and such change to your track," doesn't necissarily mean you have to do what they say exactly. However, you may try what they suggested, and then do something of your own accord. You are also in control of what feedback you choose to take in. You can disregard someone elses feedback just as easily as they spewed it out, so keep that in mind as well I think.
___
I love providing examples as well, so here's one :
- With my latest track (Stageline),a friend from a different online community simply gave me general feedback on parts of the track he really liked/didn't like. I simply nodded and used his feedback to take a look at the problem areas and try to figure out why he was saying it. I actually didn't end up doing what he suggested. (I did something better, although it's hard to explain)
- Continuing...Eddie gave me some great technical advice on where to start with my kick in terms of where/how it should sit in a mix and it helped out the song tremendously. It was something my brain just wasn't picking up as an error, but when it was pointed out to me by Eddie, and the correction was made, he was in fact 100% right. (I always compare original to corrected, saving seperate files is an amazing tool)
I know for damn sure that I'm unaware of many of the general rules of thumb on mixing and the technical aspects of EDM and music composition, but I also know that Eddie seems very knowledgeable in that respect, so I try to go to him with those types of questions. (I'm sorry if you get swamped with pms now Eddie )
The strengths/weaknesses thread was/is great help btw!
and my natural apologies for the tl;dr. I'm at school with a 3 hour break and nothing to do.
|