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| quote: | Originally posted by Kysora
Yeah I agree. As far as I'm concerned using loops is completely harmless if you don't rely on them in any way. I could create my own percussion lines but acquiring the one-shots and putting them together would take a lot longer than the loops I have on hand, and the end result of my tracks would be largely the same since I never draw attention to my percussion anyway.
I'm sure some purists might shun me for that but fuck them, I'm not sacrificing any artistic integrity by using loops as convenient placeholders for something I don't deem important in my music to begin with. And neither is Cryo. Though props to him for usually making his own rhythm tracks, I can honestly say I don't have that kind of initiative. |
Programming percussion is really a whole different ballgame where the details of producing harmonic and non-harmonic elements come to light.
Melodies and basslines draw attention to themselves via relation to harmony and their melodic line. timbre, velocity, timing, and placement also apply but can be used optionally. Percussion on the other hand relies on patterns altering different sounds, timbre, and needs velocity and timing to take it to an exceptional level. Percussion can't use any kind of music theory to alter it, so it's much more primitive, but the limitation puts more emphasis on the nuanced elements that harmonic elements take for granted.
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| quote: | Originally posted by dj_alfi
change your avatar for fucks sake. |
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