separate your kick in 2 parts, with filters. top and bottom, then you can do whatever you want with the top part

quote:

Originally posted by mathieu separate your kick in 2 parts, with filters. top and bottom, then you can do whatever you want with the top part

this is exactly the purpose of the multiband dynamics

it's not that easy, simple eq won't do, can cause more damage as few said, i need the frequency to be there but with less/shorter attack

quote:

Originally posted by Dj_Kile it's not that easy, simple eq won't do, can cause more damage as few said, i need the frequency to be there but with less/shorter attack

Adjust the envelope attack? Transient Designer?

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yeah this too will do the job

quote:

Originally posted by sicc What exactly is a transient of a kick? ive been wondering this for a while.

Attack transients are the very front end of sounds. For kicks, this is usually a sharp clicky sound at the start, followed by the tail which contains all the bass impact.

Some sounds have no attack transients, such as pads with a very slow attack.

quote:

Originally posted by evo8 Adjust the envelope attack? Transient Designer?

Yeah, either adjust the attack in the sampler or with a transient designer would be my tip.

If you want to get really fancy you could use a filter with an envelope follower and use it to filter the top end of the attack.

quote:

Originally posted by dj_alfi You can't get heroin from a kick, silly!

But you can sure get a kick from heroin!

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