Most things from the following artists are well mixed down:

Eric Prydz, Robert Babicz, Martin Buttrich, Sébastien Léger, Christopher Norman, Dubfire, Stimming

I'm sure there are more; feel free to add!

Last edited by iammesol on Apr-22-2011 at 14:25

Prydz has always had a nice balanced mix and tight productions skills. Babicz has his own unique mastering techniques (i.e. using magnetic when decoding songs to analog) which makes his productions distinctive and give nuances. Too me old Daft Punk tracks were just so well produced or sampled but nonetheless mixing down the track and the end product shined; the French house music techniques work, analog baby.

Last edited by Syntonic on Apr-22-2011 at 05:25

I blasphemed and forgot Stimming. What an ear that guy has!

quote:

Originally posted by TranceElevation Anything from U-Recken

You have to be kidding. U-Recken's stuff has no dynamic range at all, it's always a complete brick wall.

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quote:

Originally posted by Subtle Another You Another Me

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quote:

Originally posted by Domesticated You have to be kidding. U-Recken's stuff has no dynamic range at all, it's always a complete brick wall.

You gotta be a total idiot for judging the dynamic of a track exclusively from its waveform.

http://www.youtube.com/watch?v=bIoLnbUYYDQ (considering the youtube detraction)

Last edited by TranceElevation on Apr-22-2011 at 18:46

quote:

Originally posted by TranceElevation You gotta be a total idiot for judging the dynamic of a track exclusively from its waveform.

You don't have to look at a waveform to tell that an audio source has been heavily passed through a brick wall limiter........ and they come hand in hand, a heavily driven audio signal through a brick wall limiter will result in poor dynamics.

That being said, I've not paid particular attention to U-Recken's work, I'm speaking generally.

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quote:

Originally posted by Acton You don't have to look at a waveform to tell that an audio source has been heavily passed through a brick wall limiter........ and they come hand in hand, a heavily driven audio signal through a brick wall limiter will result in poor dynamics. That being said, I've not paid particular attention to U-Recken's work, I'm speaking generally.

This is obvious. What I was implying is that dynamics doesn't expire with this.
For example, his tracks are extremly rich in terms of sound movement, extremly rich in elements and structure changes during the track. This is also dynamics.

actually, I tend to find that Tritonals tracks are quite well engineered...