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Originally posted by DJRYAN™ Wow! I totally get what your saying. That makes a whole lot of sense. Everything. I appreciate you taking the time to provide me a bit more insight. I have to admit that I have no idea about this part of Thor though, and I have a feeling this will just take my patches to an entirely new level: and it drives me crazy. I assign the LFO to modulate oscilator1 pitch or even filter 1's frequency or just mess around but nothing tangible comes from it. All I get is a bunch of roaming synths sound that sound crazy and disorganized or non-listenable. Is there a guide out there that shows specifically how to route certain parameters to do certain things? Or what needs to be done to create recognizable synths. I know there are a lot of soundsets out there, combinators, patches, and the like that have some of these sounds already embedded, but, I think that defeats the entire purpose of learning. There's this guy here in Atlanta, Richard Devine and he can just tear a synth up. You can assume he knows the ins and out and that's what I want to know. And I'm not trying to sound like a total dumbass, although its probably too late, but still don't understand what the global envelope, mod envelope, or the filter envelope do. I can't get it to do anything to the sound. Except for on the global mod. Sometimes I get it to rise, but then I expect it to fall again, and it just stays at that highest pitch. So yea, I really wanna know how to kill a synth.

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Trance Addict 4 LIFE!

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Dr.DRE "It's not the equipment....it's the muthaf@#%r running it"

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Originally posted by Pagan-za Fighting online is like winning the special Olympics. Even if you win, you're still retarded.