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I think prog is going thru a bit of an identity crisis at the moment, A lot of the recent compilations seem to be showcasing 'progressive music' but in the forms of breaks and tech house, even deep house.
if you look at Lavelle's GU thats definitely highlighting the importance break-beat has on the 'progressive music scene', Chris Fortiers Bedrock showcases the tech house aspect, and more recently John Creamer & Stephane K's Bedrock compilation showcases sleazy dirty deep house which is not unlike Steve Lawlers Lights Out compilation.
I think you'll find in the next year or so, a huge multi-genre fuzion of progressive music, I think Seaman tried to do it in his Melbourne compilation but it didn't go down to well, but slowly people will come around and realise that there's many different forms of 'progressive music'
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Do you think Paul Van Dyk really believes in Angels? I hope so, he’ll need their help to answer for all that bad music he’s made. - Sean Cusick
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