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| quote: | Originally posted by Raphie
Yeah, but then again I'm becoming an old fart fundamentalist with a hobby 
Start to like to noodle around and really start to dislike the stuff that people are doing ITB nowadays. Totally irrational, I know, but I'm near millitant now, on how I want to produce my music going forward
- outboard only, no VSTi's
- midi sequenced only
- 1 run mixdown
- no audio or samples
- leverage onboard sequencers where available (i.e. Tempest, or TT303)
This will provide very minimalistic outcome, of which a lot pattern/sequence based.
No fx (unless generated as a patch via one of my synths), no uplifters, explosions, verby crash cymbals, complextro chops etc etc, none of that fashionable crap |
I originally was all outboard and tried various sequencers. My mate bought lovely Fostex hard disk rack recorders - nothing ever looked that nice imo.
I once showed 2 tracks on here from that time and even L4C said something like 'how did you go from there to where you are now', I think he mean't in terms of the sound because he assumed we'd used some hi-end desk with a limiter per channel, but in fact it was a 16 channel TASCAM / TEAC desk made of glorious grey plastic.
We whacked everything through either a bottom end DBX or Beringher compressor.
I think it was somehow a more pleasant sound but I'm not sure if that is just my mind playing tricks.
The synth I would love to try and never have, is the Jupier 8, but also the Jupiter 6 and 4 looked other worldly to me and I really dream of trying one.
Also I have fond memories of noodling with massive KORG Tritons (I think) and being in awe, but never see these mentioned so I'm sorta thinking perhaps they weren't that special afterall.
OP - if it were me I'd go for maybe the Poly Evolver as an all round solution - not sure if in budget though?
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