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I'm glad we're on a similar wave.
However what I'm referring specifically is the false message of
joyfulness.
In Saltwater for example there isn't that incertitude I'm talking about.
Like this one, it's a great example.
The melody is apparently "happy", but than you listen to the lyrics:
Look at me standing here
Crying out my final tears
Look at me in the rain
Call me I won't leave again
Look at me standing here
Crying out my final tears
Look at me in the rain
Do you remember when you told me you
Didn't want anyone else but me?
Well I'm that same girl is all you need to say
I want you back in my life
Want you back by my side
That's where you belong
I won't give you up
I will never stop
My love is much too strong
These lyrics are genuine, talking about delusion, loneliness, perseverance, about almost infantile kind of love, pure and innocent.
And this imo creates a sort of duality. A supposedly happy melody that actually narrates a sad sad story.
I noticed this is a common trait of the tracks that give me this feeling.
But as I wrote, the melody, the chords are false. They are not categorically happy, they are elusive, swaying between sad and happy...
Check this one out:
Seems allegro...
But then you listen to the slow version...and when you add the lyrics you got this...and at this point the thing is pretty explicit.
So this shows that tempo and sound selection also have a role in the perception of a melody.
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cit. "Back then people danced to a dj set. Nowdays they are recording it with their smart phones."
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